Rivers That Remember: A Blue Humanities Perspective on Selected Poems of Kedarnath Singh

This paper explores the poetry of Kedarnath Singh through the theoretical framework of Blue Humanities, with particular attention to his sustained engagement with rivers, rain, wells, and other water bodies. Singh’s poetic landscape is rich with hydric imagery, not as passive elements of nature but as dynamic participants in the cultural, political, and emotional life of rural India. Unlike Western ecological paradigms, which often emphasize large-scale environmental crisis narratives or the aesthetic sublime, Singh’s work reflects a grounded, Indian ecological consciousness—one that is informed by agrarian memory, oral traditions, ethical relationality, and spiritual reverence for the natural world. Water in his poetry becomes a carrier of both ecological disruption and cultural endurance, evoking sacred geographies as well as everyday struggles. Using the interpretive tools of Blue Humanities while re-centering them within Indian knowledge systems, this study proposes a decolonial re-reading of aquatic ecologies in literature. Through a close reading of Singh’s works, the paper ultimately argues that his hydric imagination offers an alternative mode of environmental thought—one where water is not merely a symbol, but a medium of memory, justice, and belonging. By doing so, Singh contributes to a uniquely Indian voice within the global discourse of Blue Humanities.

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Publication Details

Journal
RESEARCH REVIEW International Journal of Multidisciplinary
Published
2025-07-12
DOI
https://doi.org/10.31305/rrijm.2025.v10.n7.013
Primary Topic
Indian History and Philosophy
Type
article
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article

Rivers That Remember: A Blue Humanities Perspective on Selected Poems of Kedarnath Singh

Asmita Chhibbar
RESEARCH REVIEW International Journal of Multidisciplinary
Indian History and Philosophy
article

Rivers That Remember: A Blue Humanities Perspective on Selected Poems of Kedarnath Singh

Asmita Chhibbar
article en

Abstract

This paper explores the poetry of Kedarnath Singh through the theoretical framework of Blue Humanities, with particular attention to his sustained engagement with rivers, rain, wells, and other water bodies. Singh’s poetic landscape is rich with hydric imagery, not as passive elements of nature but as dynamic participants in the cultural, political, and emotional life of rural India. Unlike Western ecological paradigms, which often emphasize large-scale environmental crisis narratives or the aesthetic sublime, Singh’s work reflects a grounded, Indian ecological consciousness—one that is informed by agrarian memory, oral traditions, ethical relationality, and spiritual reverence for the natural world. Water in his poetry becomes a carrier of both ecological disruption and cultural endurance, evoking sacred geographies as well as everyday struggles. Using the interpretive tools of Blue Humanities while re-centering them within Indian knowledge systems, this study proposes a decolonial re-reading of aquatic ecologies in literature. Through a close reading of Singh’s works, the paper ultimately argues that his hydric imagination offers an alternative mode of environmental thought—one where water is not merely a symbol, but a medium of memory, justice, and belonging. By doing so, Singh contributes to a uniquely Indian voice within the global discourse of Blue Humanities.

RESEARCH REVIEW International Journal of MultidisciplinaryVol. 10(7)
Panjab University (IN)
Openalex Percentile: Top 80%
Indian History and Philosophy
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