The Oscar Larson Performing Arts Center Theater—Constrained volume and targeted reflections for speech intelligibility

In 2019, the South Dakota State University Oscar Larson Performing Arts Center opened in 2019 to great acclaim. The 850-seat theater has been a “game changer” for performing arts in Eastern South Dakota. Hosting lectures, road shows, musical theater, dance, and a wide range of other theatrical performance types, the needs of the theater included a speech heavy program with a goal of being able to host unamplified dramas without any sound reinforcement—a challenging program for an 850-seat theater. In this paper, we discuss the design of the theater, and the strategy for the support of speech as well as the other needs of the space, including an overall constraint of the reverberant volume with stringent management of both beneficial (early, frequency-balanced) and destructive (late, focusing) sound reflections using 3-D modeling. We finish with a discussion of test results, and end-user impressions concerning the intelligibility, and overall acoustic functionality of the theater.

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Publication Details

Journal
The Journal of the Acoustical Society of America
Published
2025-04-01
DOI
https://doi.org/10.1121/10.0037649
Primary Topic
Hearing Loss and Rehabilitation
Type
article
Field-Weighted Citation Impact
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article

The Oscar Larson Performing Arts Center Theater—Constrained volume and targeted reflections for speech intelligibility

David Kahn, Arthur W. van der Harten
The Journal of the Acoustical Society of America
Hearing Loss and Rehabilitation
article

The Oscar Larson Performing Arts Center Theater—Constrained volume and targeted reflections for speech intelligibility

David Kahn, Arthur W. van der Harten
article en

Abstract

In 2019, the South Dakota State University Oscar Larson Performing Arts Center opened in 2019 to great acclaim. The 850-seat theater has been a “game changer” for performing arts in Eastern South Dakota. Hosting lectures, road shows, musical theater, dance, and a wide range of other theatrical performance types, the needs of the theater included a speech heavy program with a goal of being able to host unamplified dramas without any sound reinforcement—a challenging program for an 850-seat theater. In this paper, we discuss the design of the theater, and the strategy for the support of speech as well as the other needs of the space, including an overall constraint of the reverberant volume with stringent management of both beneficial (early, frequency-balanced) and destructive (late, focusing) sound reflections using 3-D modeling. We finish with a discussion of test results, and end-user impressions concerning the intelligibility, and overall acoustic functionality of the theater.

The Journal of the Acoustical Society of AmericaVol. 157(4_Supplement)
Stamford Hospital (US)
Openalex Percentile: Top 81%
Hearing Loss and Rehabilitation
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The Oscar Larson Performing Arts Center Theater—Constrained volume and targeted reflections for speech intelligibility — David Kahn, Arthur W. van der Harten · The Journal of the Acoustical Society of America (2025) | TGRS Research Map | TGRS