How cornets and trumpets differ

The lead brass instrument in many early New Orleans jazz bands was the cornet, but by the 1930s most jazz ensembles featured the trumpet. Louis Armstrong conspicuously made the transition from cornet to trumpet while at the height of his career. Although in general musicians regard the two instruments as being recognizably different, the acoustical behavior of cornets and trumpets is more difficult to distinguish. Most of the features of the two instruments, such as mouthpiece rim and cup, tuning-slide and valve section bores and bell flare, do not differ systematically; only the mouthpiece backbore and instrument leadpipe are necessarily different. This paper draws on input impedance measurements and the analysis of spectra obtained from playing tests recorded under controlled conditions to propose instrument-dependent characteristics of cornet and trumpet sounds.

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Publication Details

Journal
The Journal of the Acoustical Society of America
Published
2025-04-01
DOI
https://doi.org/10.1121/10.0037716
Primary Topic
Music Technology and Sound Studies
Type
article
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article

How cornets and trumpets differ

Murray Campbell, Arnold Myers
The Journal of the Acoustical Society of America
Music Technology and Sound Studies
article

How cornets and trumpets differ

Murray Campbell, Arnold Myers
article en

Abstract

The lead brass instrument in many early New Orleans jazz bands was the cornet, but by the 1930s most jazz ensembles featured the trumpet. Louis Armstrong conspicuously made the transition from cornet to trumpet while at the height of his career. Although in general musicians regard the two instruments as being recognizably different, the acoustical behavior of cornets and trumpets is more difficult to distinguish. Most of the features of the two instruments, such as mouthpiece rim and cup, tuning-slide and valve section bores and bell flare, do not differ systematically; only the mouthpiece backbore and instrument leadpipe are necessarily different. This paper draws on input impedance measurements and the analysis of spectra obtained from playing tests recorded under controlled conditions to propose instrument-dependent characteristics of cornet and trumpet sounds.

The Journal of the Acoustical Society of AmericaVol. 157(4_Supplement)
Royal Conservatoire of Scotland (GB), University of Edinburgh (GB)
Openalex Percentile: Top 82%
Music Technology and Sound Studies
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How cornets and trumpets differ — Murray Campbell, Arnold Myers · The Journal of the Acoustical Society of America (2025) | TGRS Research Map | TGRS