Sounds like… culturally significant auditory illusions at archaeological sites

Unusual sound effects have been noted at many archaeological sites. Tangible cultural evidence supports hypotheses that certain sound phenomena were misinterpreted. Cases of auditory illusions include: (1)Chirped echoes from the staircases of Mesoamerican pyramids, resembling calls of the quetzal bird, as proposed by David Lubman; (2)Echoes in canyons perceived as spirits calling out from the rocks, matching ancient petroglyph designs that coincide with mythical descriptions of echo spirits; (3)Thunderous reverberation in caves with prehistoric paintings of stampedes of hooved animals corresponding to mythical thunder gods; (4)Interference patterns from two droning bagpipes radiate nodes of silence, giving the impression of acoustic shadows from a ring of massive objects blocking the sound. This pattern matches the arrangement of Stonehenge, and is consistent with a legend that two pipers led maidens to dance in a circle and they all turned to stone; (5)Resonance in gothic cathedrals, leading to the belief that angels were singing along in the ceiling. These examples demonstrate the significance of sound to ancient cultures and underscore the need for further acoustical studies at archaeological sites. Implied from these results is the need for conservation efforts to preserve the acoustics at archaeological sites.

Authors

Publication Details

Journal
The Journal of the Acoustical Society of America
Published
2025-04-01
DOI
https://doi.org/10.1121/10.0038130
Primary Topic
Archaeology and Rock Art Studies
Type
article
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article

Sounds like… culturally significant auditory illusions at archaeological sites

Steven J. Waller
The Journal of the Acoustical Society of America
Archaeology and Rock Art Studies
article

Sounds like… culturally significant auditory illusions at archaeological sites

Steven J. Waller
article en

Abstract

Unusual sound effects have been noted at many archaeological sites. Tangible cultural evidence supports hypotheses that certain sound phenomena were misinterpreted. Cases of auditory illusions include: (1)Chirped echoes from the staircases of Mesoamerican pyramids, resembling calls of the quetzal bird, as proposed by David Lubman; (2)Echoes in canyons perceived as spirits calling out from the rocks, matching ancient petroglyph designs that coincide with mythical descriptions of echo spirits; (3)Thunderous reverberation in caves with prehistoric paintings of stampedes of hooved animals corresponding to mythical thunder gods; (4)Interference patterns from two droning bagpipes radiate nodes of silence, giving the impression of acoustic shadows from a ring of massive objects blocking the sound. This pattern matches the arrangement of Stonehenge, and is consistent with a legend that two pipers led maidens to dance in a circle and they all turned to stone; (5)Resonance in gothic cathedrals, leading to the belief that angels were singing along in the ceiling. These examples demonstrate the significance of sound to ancient cultures and underscore the need for further acoustical studies at archaeological sites. Implied from these results is the need for conservation efforts to preserve the acoustics at archaeological sites.

The Journal of the Acoustical Society of AmericaVol. 157(4_Supplement)
Sustainable cities and communities
Openalex Percentile: Top 82%
Archaeology and Rock Art Studies
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Sounds like… culturally significant auditory illusions at archaeological sites — Steven J. Waller · The Journal of the Acoustical Society of America (2025) | TGRS Research Map | TGRS