A survey on the epistolary calligraphy art of Kim Jeonghui during his early exile period

Kim Jeonghui holds the highest esteem as a calligrapher in Joseon and played a significant role in cultural exchanges between China and Joseon. His creation of the 'Chusa style' marked a new trend in the calligraphy scene of late Joseon. The early period of his exile was a crucial phase for his engagement with external influences and learning, serving as a key moment in the formation of his artistic style. This study examines three key stages in his development: his foundational learning phase, his period of artistic training, and the time from his official appointment up to the early stage of his exile. By analysing these stages from the perspectives of calligraphy studies and aesthetics, this paper seeks to further explore the formative clues of the 'Chusa style' while offering a theoretical reference for understanding the development of calligraphic aesthetics in both Qing China and Joseon.