When the Meydan Becomes the Dar : The Martyrdom of Mansur al-Hallaj and the Cem Setting

ABSTRACT: The life and martyrdom of Al-Ḥusayn ibn Manṣūr al-Ḥallāj (c. 857–922), a legal scholar and student-follower of several Sufi spiritual guides in his Persian milieu, are often distilled into a key narrative moment: his exclamation "I am Truth." This was understood by some as a blasphemous pronouncement of his own divinity, and is associated with his execution in Baghdad. For others, his words are a declaration of the unity of all life, including al-Hallaj himself, with the divine singularity. At a key moment in the cem liturgies of the Bektashis and the Alevis, the meydan, the spatial focal point of the cem ceremony, is collectively envisioned as the execution site itself. It becomes the dar (gallows) of Mansur. In known cem iterations, there are no design features that facilitate this conceptual change to the meydan, so that it is through contemplation of Mansur's sacrifice that the spatialization of his martyrdom is shared in movement and verse. In this article, contemporary enactments of the cem, a variety of Alevi ceremonial settings, and written sources including transcribed verse and the Buyruk texts are examined to consider the role of Mansur al-Hallaj in understanding Alevi architecture.

Authors

Publication Details

Journal
Journal of the Ottoman and Turkish Studies Association
Published
2024-09-01
DOI
https://doi.org/10.2979/tur.00050
Citations
1
Primary Topic
Islamic Studies and History
Type
article
Field-Weighted Citation Impact
2.23
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article

When the Meydan Becomes the Dar : The Martyrdom of Mansur al-Hallaj and the Cem Setting

Aksel Andersen
1 citations
Journal of the Ottoman and Turkish Studies Association
Islamic Studies and History
2.23
article

When the Meydan Becomes the Dar : The Martyrdom of Mansur al-Hallaj and the Cem Setting

Aksel Andersen
article en
1 citations

Abstract

ABSTRACT: The life and martyrdom of Al-Ḥusayn ibn Manṣūr al-Ḥallāj (c. 857–922), a legal scholar and student-follower of several Sufi spiritual guides in his Persian milieu, are often distilled into a key narrative moment: his exclamation "I am Truth." This was understood by some as a blasphemous pronouncement of his own divinity, and is associated with his execution in Baghdad. For others, his words are a declaration of the unity of all life, including al-Hallaj himself, with the divine singularity. At a key moment in the cem liturgies of the Bektashis and the Alevis, the meydan, the spatial focal point of the cem ceremony, is collectively envisioned as the execution site itself. It becomes the dar (gallows) of Mansur. In known cem iterations, there are no design features that facilitate this conceptual change to the meydan, so that it is through contemplation of Mansur's sacrifice that the spatialization of his martyrdom is shared in movement and verse. In this article, contemporary enactments of the cem, a variety of Alevi ceremonial settings, and written sources including transcribed verse and the Buyruk texts are examined to consider the role of Mansur al-Hallaj in understanding Alevi architecture.

Journal of the Ottoman and Turkish Studies AssociationVol. 11(2)
Openalex Percentile: Top 7%
Islamic Studies and History
2.23
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When the Meydan Becomes the Dar : The Martyrdom of Mansur al-Hallaj and the Cem Setting — Aksel Andersen · Journal of the Ottoman and Turkish Studies Association (2024) | TGRS Research Map | TGRS