The Empress Behind the Veil: A Study of Rani Jindan in Chitra Banerjee Divakaruni’s The Last Queen

Historical narratives, often constructed through a patriarchal lens, have systematically obscured the agency and power of women, relegating them to the margins. This paper seeks to rectify this erasure by examining Chitra Banerjee Divakaruni’s The Last Queen (2021), a novel that reclaims the complex life of Rani Jindan. This study analyzes Jindan’s strategic deployment of power, alongside her assertion of physical desires, to dismantle the patriarchal construct of women as ‘docile bodies.’ By meticulously retracing key moments in Jindan’s life, the research demonstrates how she not only resisted dominant power structures but also actively acquired and wielded power, thereby offering a nuanced perspective on the interplay between female agency and historical subjugation. This analysis contributes to a broader understanding of how literary representations can reclaim and re-evaluate the historical significance of women who defied societal constraints.

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Publication Details

Journal
NOTIONS
Published
2025-06-30
DOI
https://doi.org/10.31995/notions.2025v16i01.03
Primary Topic
South Asian Cinema and Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

The Empress Behind the Veil: A Study of Rani Jindan in Chitra Banerjee Divakaruni’s The Last Queen

Purnima Verma, Meenakshi Bhatia
NOTIONS
South Asian Cinema and Culture
article

The Empress Behind the Veil: A Study of Rani Jindan in Chitra Banerjee Divakaruni’s The Last Queen

Purnima Verma, Meenakshi Bhatia
article en

Abstract

Historical narratives, often constructed through a patriarchal lens, have systematically obscured the agency and power of women, relegating them to the margins. This paper seeks to rectify this erasure by examining Chitra Banerjee Divakaruni’s The Last Queen (2021), a novel that reclaims the complex life of Rani Jindan. This study analyzes Jindan’s strategic deployment of power, alongside her assertion of physical desires, to dismantle the patriarchal construct of women as ‘docile bodies.’ By meticulously retracing key moments in Jindan’s life, the research demonstrates how she not only resisted dominant power structures but also actively acquired and wielded power, thereby offering a nuanced perspective on the interplay between female agency and historical subjugation. This analysis contributes to a broader understanding of how literary representations can reclaim and re-evaluate the historical significance of women who defied societal constraints.

NOTIONSVol. XVI(1)
Openalex Percentile: Top 81%
South Asian Cinema and Culture
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The Empress Behind the Veil: A Study of Rani Jindan in Chitra Banerjee Divakaruni’s The Last Queen — Purnima Verma, Meenakshi Bhatia · NOTIONS (2025) | TGRS Research Map | TGRS