"History, As a Spectacle": The Antiquary as Modern Writer in Hope Mirrlees, Virginia Woolf and Manuel Mujica Láinez

abstract: Hope Mirrlees, Virginia Woolf, and Manuel Mujica Láinez shared similar dispositions toward the past as an archeological niche of knowledge. This article aims to examine how these writers from different literary traditions assemble in time and space by reason of the antiquary figure. To this end, the ubiquity of history and antiquarianism were approached through Mirrlees's essay "Listening in to the Past" (1926) and A Fly in Amber (1962). The antiquary advocates for the relevance of art, the past, and present in modernity, and in assisting fact and fiction. Mirrlees's antiquary results in a narrator of histories marked by the old and new in the streets of Paris, London, or at the Prado Museum.

Authors

Publication Details

Journal
Modernism/modernity
Published
2025-01-01
DOI
https://doi.org/10.1353/mod.2025.a966625
Primary Topic
Literature, Culture, and Criticism
Type
article
Field-Weighted Citation Impact
0.00
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article

"History, As a Spectacle": The Antiquary as Modern Writer in Hope Mirrlees, Virginia Woolf and Manuel Mujica Láinez

María Isabel Romero-Pérez
Modernism/modernity
Literature, Culture, and Criticism
article

"History, As a Spectacle": The Antiquary as Modern Writer in Hope Mirrlees, Virginia Woolf and Manuel Mujica Láinez

María Isabel Romero-Pérez
article en

Abstract

abstract: Hope Mirrlees, Virginia Woolf, and Manuel Mujica Láinez shared similar dispositions toward the past as an archeological niche of knowledge. This article aims to examine how these writers from different literary traditions assemble in time and space by reason of the antiquary figure. To this end, the ubiquity of history and antiquarianism were approached through Mirrlees's essay "Listening in to the Past" (1926) and A Fly in Amber (1962). The antiquary advocates for the relevance of art, the past, and present in modernity, and in assisting fact and fiction. Mirrlees's antiquary results in a narrator of histories marked by the old and new in the streets of Paris, London, or at the Prado Museum.

Modernism/modernityVol. 32(1)
Openalex Percentile: Top 80%
Literature, Culture, and Criticism
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