Drifting Space and Unruly Velocities

This visual essay explores the translation of complex environments through representations with attributes that are summarized as ‘interdimensional’. These attributes are not elaborated yet, but the term emphasizes that these representations integrate different dimensions of experiencing and understanding various spatial scales and temporal perspectives. The process of producing these representations requires the landscape architect to encounter, investigate, and communicate life, materiality, and processes in an approach that appreciates attentiveness and creativity. The representations discussed were developed in the context of a design studio at the University of Edinburgh that was elaborated and led by the author and situated within the Highland Boundary Fault Zone in Scotland. A studio collective composed of Master’s students in Landscape Architecture over two years has been encouraged to traverse the fault zone, taking into account social, ecological, and geological fractures, as well as points of tension and upheaval. Operating from within the ‘critical zone’, the provocation of the late Bruno Latour and his collaborators has been adopted: that working from this perspective is necessary to recognize that we humans are ‘living among the living’ (Société d’Objets Cartographiques [SOC] 2018). The design studio’s approach encourages experimental drawing and making to develop ‘ecologically explicit’ landscape architecture—landscape interpretations and design propositions—that foreground and support more-than-human worlds.