“Flesh by Now Old Age”

This paper attends philosophically to Sappho’s fragments 16, 31, and 58 to explore the interplay of beauty, eros, and mortality in Sapphic poetry. It argues that Sappho portrays beauty as inseparable from temporality, vulnerability, and embodied eros. Through attending to these fragments, the paper offers a Sapphic portrait of beauty as an alternative to the idealizing, linear model of desire often associated with Diotima’s ladder in Plato’s Symposium: beauty is not a static form toward which to ascend, but a lived experience disclosed in particular, finite encounters. Fr. 16 portrays eros itself as beautiful and bound to desire for particular others. Fr. 31 connects beauty to the human condition of desire and vulnerability. Finally, Fr. 58 emphasizes beauty’s ephemerality. If Platonic metaphysics aims at the beautiful itself, Sappho reminds us that each concrete experience of desire is not merely a stepping-stone but a site of profound meaning in its own right.

Authors

Publication Details

Journal
Epoché A Journal for the History of Philosophy
Published
2025-01-01
DOI
https://doi.org/10.5840/epoche2025731271
Primary Topic
Classical Philosophy and Thought
Type
article
Field-Weighted Citation Impact
0.00
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article

“Flesh by Now Old Age”

Lydia W. Barry
Epoché A Journal for the History of Philosophy
Classical Philosophy and Thought
article

“Flesh by Now Old Age”

Lydia W. Barry
article en

Abstract

This paper attends philosophically to Sappho’s fragments 16, 31, and 58 to explore the interplay of beauty, eros, and mortality in Sapphic poetry. It argues that Sappho portrays beauty as inseparable from temporality, vulnerability, and embodied eros. Through attending to these fragments, the paper offers a Sapphic portrait of beauty as an alternative to the idealizing, linear model of desire often associated with Diotima’s ladder in Plato’s Symposium: beauty is not a static form toward which to ascend, but a lived experience disclosed in particular, finite encounters. Fr. 16 portrays eros itself as beautiful and bound to desire for particular others. Fr. 31 connects beauty to the human condition of desire and vulnerability. Finally, Fr. 58 emphasizes beauty’s ephemerality. If Platonic metaphysics aims at the beautiful itself, Sappho reminds us that each concrete experience of desire is not merely a stepping-stone but a site of profound meaning in its own right.

Epoché A Journal for the History of PhilosophyVol. 30(1)
Openalex Percentile: Top 81%
Classical Philosophy and Thought
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