Authors and their Tokens: Artefactual History of Copyright Subject Matter

The underlying idea of this study is to argue that looking deep into the history of copyright development will provide an understanding of contemporary technologies, in particular the latest revolutions in the digital market. Therefore, the subject of this analysis are the events and historical discussions that took place before shaping the contemporary copyright law’s institutions and that were related to the first normative acts pertaining to its structure. The first part presents a historical analysis of the institution of copyright, the disputes surrounding the formation and development of thinking about copyright as an independent institution, and then answers the question of the artefactuality of copyright, particularly from the perspective of authorship, the work, and the combination of these two essentials of the copyright’s system. This will be contrasted with the recently discussed issue of the legal valuation of tokens and their relevance to copyright.

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Publication Details

Journal
Journal of Intellectual Property Rights
Published
2025-01-01
DOI
https://doi.org/10.56042/jipr.v30i4.4425
Primary Topic
Copyright and Intellectual Property
Type
article
Field-Weighted Citation Impact
0.00
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article

Authors and their Tokens: Artefactual History of Copyright Subject Matter

Journal of Intellectual Property Rights
Copyright and Intellectual Property
article

Authors and their Tokens: Artefactual History of Copyright Subject Matter

article en

Abstract

The underlying idea of this study is to argue that looking deep into the history of copyright development will provide an understanding of contemporary technologies, in particular the latest revolutions in the digital market. Therefore, the subject of this analysis are the events and historical discussions that took place before shaping the contemporary copyright law’s institutions and that were related to the first normative acts pertaining to its structure. The first part presents a historical analysis of the institution of copyright, the disputes surrounding the formation and development of thinking about copyright as an independent institution, and then answers the question of the artefactuality of copyright, particularly from the perspective of authorship, the work, and the combination of these two essentials of the copyright’s system. This will be contrasted with the recently discussed issue of the legal valuation of tokens and their relevance to copyright.

Journal of Intellectual Property RightsVol. 30(4)
Jagiellonian University (PL)
Openalex Percentile: Top 76%
Copyright and Intellectual Property
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