A CRITICAL REVIEW OF SCHOLARSHIP ON WUXI OPERA: INTERDISCIPLINARY PERSPECTIVES ON TRADITION, IDENTITY, AND METHODOLOGICAL TRANSFORMATION

Wuxi Opera (锡剧), a regional operatic tradition originating from the Jiangnan region of China, has received growing scholarly attention due to its complex historical evolution, rich musical structures, and cultural significance as a national intangible heritage. This study presents a comprehensive literature review of Wuxi Opera research from the mid-20th century to the present, focusing on key thematic areas such as repertoire studies, vocal technique, orchestration, performance practices, and heritage politics. By mapping the academic trajectories and methodological approaches employed across Chinese and limited Englishlanguage sources, this paper identifies major achievements, theoretical contributions, and critical gaps in the existing scholarship. Particular attention is given to how representative repertoires function not only as aesthetic cores but also as performative tools for cultural identity construction. The study further analyzes the tension between tradition and innovation, highlighting how contemporary challenges such as stagnant stagecraft, underdeveloped digital archives, and generational disconnect demand interdisciplinary approaches. Ultimately, the paper calls for expanded fieldwork, digital humanities applications, and international collaboration to ensure the sustainable future of Wuxi Opera research and practice.