اردو افسانے میں معاشرے کے رویوں کی عکاسی: ایک تجزیہ

Urdu short stories have long served as a mirror reflecting the complexities, contradictions, and evolving attitudes of South Asian society. This paper explores how prominent Urdu fiction writers have portrayed societal behaviors such as class discrimination, gender inequality, religious intolerance, political hypocrisy, and moral decline. From Premchand's depiction of poverty and indifference in Kafan, to Ismat Chughtai’s bold critique of gender roles in Lihaaf, and Saadat Hasan Manto’s raw exposure of communal violence in Thanda Gosht, Urdu fiction has persistently engaged with social realities. Through character development, symbolic settings, and realistic dialogues, these stories challenge dominant social norms and provoke critical reflection. Modern writers further expand this tradition by addressing psychological, existential, and technological shifts in contemporary society. This analytical study concludes that Urdu short stories are not merely literary expressions but powerful social documents that reveal, critique, and sometimes resist the behaviors and beliefs of their time.

Authors

Publication Details

Journal
Journal of Applied Linguistics and TESOL (JALT)
Published
2025-06-18
DOI
https://doi.org/10.63878/jalt1037
Primary Topic
Postcolonial and Cultural Literary Studies
Type
article
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article

اردو افسانے میں معاشرے کے رویوں کی عکاسی: ایک تجزیہ

ڈاکٹر صدف مشتاق
Journal of Applied Linguistics and TESOL (JALT)
Postcolonial and Cultural Literary Studies
article

اردو افسانے میں معاشرے کے رویوں کی عکاسی: ایک تجزیہ

ڈاکٹر صدف مشتاق
article en

Abstract

Urdu short stories have long served as a mirror reflecting the complexities, contradictions, and evolving attitudes of South Asian society. This paper explores how prominent Urdu fiction writers have portrayed societal behaviors such as class discrimination, gender inequality, religious intolerance, political hypocrisy, and moral decline. From Premchand's depiction of poverty and indifference in Kafan, to Ismat Chughtai’s bold critique of gender roles in Lihaaf, and Saadat Hasan Manto’s raw exposure of communal violence in Thanda Gosht, Urdu fiction has persistently engaged with social realities. Through character development, symbolic settings, and realistic dialogues, these stories challenge dominant social norms and provoke critical reflection. Modern writers further expand this tradition by addressing psychological, existential, and technological shifts in contemporary society. This analytical study concludes that Urdu short stories are not merely literary expressions but powerful social documents that reveal, critique, and sometimes resist the behaviors and beliefs of their time.

Journal of Applied Linguistics and TESOL (JALT)Vol. 8(2)
Openalex Percentile: Top 80%
Postcolonial and Cultural Literary Studies
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