Climbing the Charts Without Fandom: An Analysis of the “Reverse Run” Phenomenon in the K-Pop Scene

“Reverse run” in K-pop refers to the sudden rise in popularity of a fading song, which is often triggered by memetic videos on YouTube. In this study, we argue that this cultural diffusion is possible without resources of giant agencies or fanbases because individuals are loosely and flexibly connected through digital networks. To test this claim, we collected 1,308 YouTube videos and 611,809 comments on them. We then analyzed user engagement with these videos. For the reverse run case, there was an extensive user engagement with memetic videos that covered, mimicked, or remixed idol groups’ music videos or media-produced stage footage, which drove virality. This pattern differed from those of other immediate chart-toppers, which often resulted from big agency promotions or strong fan support. This study indicates that memetic videos play a crucial role in the bottom-up cultural diffusion of reverse run by creating a fandom-like phenomenon where individuals could connect through personalized expression.

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Publication Details

Journal
International Journal of Contents
Published
2025-06-30
DOI
https://doi.org/10.5392/ijoc.2025.21.2.143
Primary Topic
Asian Culture and Media Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Climbing the Charts Without Fandom: An Analysis of the “Reverse Run” Phenomenon in the K-Pop Scene

Shin-Haeng Lee, Daseul Oh
International Journal of Contents
Asian Culture and Media Studies
article

Climbing the Charts Without Fandom: An Analysis of the “Reverse Run” Phenomenon in the K-Pop Scene

Shin-Haeng Lee, Daseul Oh
article en

Abstract

“Reverse run” in K-pop refers to the sudden rise in popularity of a fading song, which is often triggered by memetic videos on YouTube. In this study, we argue that this cultural diffusion is possible without resources of giant agencies or fanbases because individuals are loosely and flexibly connected through digital networks. To test this claim, we collected 1,308 YouTube videos and 611,809 comments on them. We then analyzed user engagement with these videos. For the reverse run case, there was an extensive user engagement with memetic videos that covered, mimicked, or remixed idol groups’ music videos or media-produced stage footage, which drove virality. This pattern differed from those of other immediate chart-toppers, which often resulted from big agency promotions or strong fan support. This study indicates that memetic videos play a crucial role in the bottom-up cultural diffusion of reverse run by creating a fandom-like phenomenon where individuals could connect through personalized expression.

International Journal of ContentsVol. 21(2)
Reduced inequalities
Openalex Percentile: Top 77%
Asian Culture and Media Studies
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Climbing the Charts Without Fandom: An Analysis of the “Reverse Run” Phenomenon in the K-Pop Scene — Shin-Haeng Lee, Daseul Oh · International Journal of Contents (2025) | TGRS Research Map | TGRS