Radical Power Sharing: Navigating Facilitatory Power in Museum and Gallery Engagement

This article explores facilitatory authority in museum and gallery engagement and the role that an orientation to values can play in creating conditions for radical power sharing with visitor communities. The text is rooted in a reflective analysis of facilitating Journeys with “The Waste Land,” a three-year major exhibition project at Turner Contemporary in the UK, co-curated with audiences. The article examines exhibition-making as a space for community occupancy, particularly how co-creation, as a values-oriented conceptual framework, can be translated into practice and what this means in terms of facilitatory thinking and decision making at different stages of the curatorial process. The text situates the practice of co-creation in relation to personal and organizational values as well as to bigger debates around cultural value. Particular attention is given to strategies for mitigating privileged authority inherent in the facilitatory role in order to realize conditions for democracy and distributed (or polyvocal) authorship when working with community partners.

Authors

Publication Details

Journal
The International Journal of the Inclusive Museum
Published
2025-01-01
DOI
https://doi.org/10.18848/1835-2014/cgp/v18i02/231-255
Primary Topic
Museums and Cultural Heritage
Type
article
Field-Weighted Citation Impact
0.00
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article

Radical Power Sharing: Navigating Facilitatory Power in Museum and Gallery Engagement

Temple Scott
The International Journal of the Inclusive Museum
Museums and Cultural Heritage
article

Radical Power Sharing: Navigating Facilitatory Power in Museum and Gallery Engagement

Temple Scott
article en

Abstract

This article explores facilitatory authority in museum and gallery engagement and the role that an orientation to values can play in creating conditions for radical power sharing with visitor communities. The text is rooted in a reflective analysis of facilitating Journeys with “The Waste Land,” a three-year major exhibition project at Turner Contemporary in the UK, co-curated with audiences. The article examines exhibition-making as a space for community occupancy, particularly how co-creation, as a values-oriented conceptual framework, can be translated into practice and what this means in terms of facilitatory thinking and decision making at different stages of the curatorial process. The text situates the practice of co-creation in relation to personal and organizational values as well as to bigger debates around cultural value. Particular attention is given to strategies for mitigating privileged authority inherent in the facilitatory role in order to realize conditions for democracy and distributed (or polyvocal) authorship when working with community partners.

The International Journal of the Inclusive MuseumVol. 18(2)
Openalex Percentile: Top 81%
Museums and Cultural Heritage
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