Kultura kao prostor političkog izraza: društveno angažovana muzika u protestima i društvenim pokretima

This paper explores how socially enggaed music is used as a cultural medium during the mobilisation and articulation od civic discontent in protests and socail movements. The aim of the paper is to present, through theoretical insights and specific examples from Bosnia and Herzegovina, Serbia, Sudan, and the United States, the ways in which music contributes to expressing civic dissatisfaction and strengthening group cohesion. The methodological framework is based on qualitative content analysis of publicly available digital sources -media reports, video recordings, and social media contet - combined with interdiciplinary theoretical literature from sociology, cultural study. musicology, and political science. The results indicate that socially engaged music plays a significant role in the emotional empowerment of protest participants and is frequently used, making culture a relevant space for the articulation of political positions.

Authors

Publication Details

Journal
Obrazovanje odraslih/Adult Education
Published
2025-01-01
DOI
https://doi.org/10.53617/issn2744-2047.2024.24.1.45
Primary Topic
Balkans: History, Politics, Society
Type
article
Field-Weighted Citation Impact
0.00
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article

Kultura kao prostor političkog izraza: društveno angažovana muzika u protestima i društvenim pokretima

Amela Frljučkić
Obrazovanje odraslih/Adult Education
Balkans: History, Politics, Society
article

Kultura kao prostor političkog izraza: društveno angažovana muzika u protestima i društvenim pokretima

Amela Frljučkić
article en

Abstract

This paper explores how socially enggaed music is used as a cultural medium during the mobilisation and articulation od civic discontent in protests and socail movements. The aim of the paper is to present, through theoretical insights and specific examples from Bosnia and Herzegovina, Serbia, Sudan, and the United States, the ways in which music contributes to expressing civic dissatisfaction and strengthening group cohesion. The methodological framework is based on qualitative content analysis of publicly available digital sources -media reports, video recordings, and social media contet - combined with interdiciplinary theoretical literature from sociology, cultural study. musicology, and political science. The results indicate that socially engaged music plays a significant role in the emotional empowerment of protest participants and is frequently used, making culture a relevant space for the articulation of political positions.

Obrazovanje odraslih/Adult EducationVol. 24(1 2024)
Openalex Percentile: Top 77%
Balkans: History, Politics, Society
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