Manifestations of the aesthetic dimension in the revolutionary cinematic film: The film The Battle of Algiers as an example

This research paper deals with the aesthetic dimension in Algerian cinema by focusing on the most important indicators of this dimension, which are mainly represented by the aesthetics of decoration, color, lighting and sound, as these elements play a major role in giving the film material a large audience and a strong influence, Perhaps one of the main factors in evaluating and comparing films by the audience and film critics is represented by this dimension because, quite simply, it gives a special character to the material and contributes to increasing its influence and follow-up by the recipient viewer.Despite the modernity of Algerian cinema compared to the leading countries in this field, it succeeded in some stations and occasions with amazing success and was strongly present and was crowned with many Maghreb, Arab and international cinema awards thanks to its discussion of some issues and topics of importance, such as its focus on conveying the liberation revolution and the suffering of the Algerian people and their struggle against the French tyrant to the Algerian, Arab and international audience in general, Her portrayal of these scenes in a dramatic, aesthetic and professional way created distinction and leadership in some cinematic forums, such as the films: The Battle of Algiers, The Wind of the South, Out of the Law and others.