Comics as Heritage: Theorizing Digital Futures of Vernacular Expression

This paper investigates digital comics—particularly webcomics and webtoons—as emerging forms of cultural heritage, analyzing their exponential global influence alongside the limitations of traditional heritage frameworks in systematically preserving them. The UNESCO heritage model, rooted in concepts of physical fixity and authenticity, is shown as inadequate for born-digital works like comics, which derive meaning from technological infrastructure, dynamic platforms, and ongoing community interaction rather than static material forms. Drawing on heritage futures and digital materiality theories, the authors argue that digital comics exemplify "temporal authenticity," evolving through continual transformation and algorithmic curation. The paper details how platform recommendation systems and analytics directly shape which comics achieve cultural visibility and preservation, while community-driven initiatives—such as The Flashpoint Archive—demonstrate effective models for holistic, grassroots digital preservation beyond institutional reach. Ultimately, the study calls for new theoretical and practical approaches to heritage, recognizing digital comics as both cultural artifacts and dynamic, platform-specific vernacular expressions.

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Publication Details

Journal
Heritage
Published
2025-07-24
DOI
https://doi.org/10.3390/heritage8080295
Citations
2
Primary Topic
Comics and Graphic Narratives
Type
article
Field-Weighted Citation Impact
53.86
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article

Comics as Heritage: Theorizing Digital Futures of Vernacular Expression

Ilan Manouach, Anna Foka
2 citations
Heritage
Comics and Graphic Narratives
53.86
article

Comics as Heritage: Theorizing Digital Futures of Vernacular Expression

Ilan Manouach, Anna Foka
article en
2 citations

Abstract

This paper investigates digital comics—particularly webcomics and webtoons—as emerging forms of cultural heritage, analyzing their exponential global influence alongside the limitations of traditional heritage frameworks in systematically preserving them. The UNESCO heritage model, rooted in concepts of physical fixity and authenticity, is shown as inadequate for born-digital works like comics, which derive meaning from technological infrastructure, dynamic platforms, and ongoing community interaction rather than static material forms. Drawing on heritage futures and digital materiality theories, the authors argue that digital comics exemplify "temporal authenticity," evolving through continual transformation and algorithmic curation. The paper details how platform recommendation systems and analytics directly shape which comics achieve cultural visibility and preservation, while community-driven initiatives—such as The Flashpoint Archive—demonstrate effective models for holistic, grassroots digital preservation beyond institutional reach. Ultimately, the study calls for new theoretical and practical approaches to heritage, recognizing digital comics as both cultural artifacts and dynamic, platform-specific vernacular expressions.

HeritageVol. 8(8)
University of Liège (BE), Historical Archives (HU)
Openalex Percentile: Top 0%
Comics and Graphic Narratives
53.86
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Comics as Heritage: Theorizing Digital Futures of Vernacular Expression — Ilan Manouach, Anna Foka · Heritage (2025) | TGRS Research Map | TGRS