Comedy and Indigenous Survivance in the Music of Keith Secola

This essay argues that Keith Secola’s music evidences survivance through its comedic discussion of what it means to be Indigenous within the modern US. Examining two of Secola’s most popular songs, “NDN Kars” (1992) and “Fry Bread” (1996), and through an author’s interview with Secola, this essay investigates how humour demonstrates survivance through the versatility of Indigenous peoples and cultures.

Authors

Publication Details

Journal
European Journal of American Studies
Published
2025-01-01
DOI
https://doi.org/10.4000/14eis
Primary Topic
Music History and Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

Comedy and Indigenous Survivance in the Music of Keith Secola

W. Rees
European Journal of American Studies
Music History and Culture
article

Comedy and Indigenous Survivance in the Music of Keith Secola

W. Rees
article en

Abstract

This essay argues that Keith Secola’s music evidences survivance through its comedic discussion of what it means to be Indigenous within the modern US. Examining two of Secola’s most popular songs, “NDN Kars” (1992) and “Fry Bread” (1996), and through an author’s interview with Secola, this essay investigates how humour demonstrates survivance through the versatility of Indigenous peoples and cultures.

European Journal of American StudiesVol. 20(2)
Openalex Percentile: Top 82%
Music History and Culture
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Comedy and Indigenous Survivance in the Music of Keith Secola — W. Rees · European Journal of American Studies (2025) | TGRS Research Map | TGRS