Correspondences and Fractures: Lesbians Talk Queer Formations

This interview between the poet Cherry Smyth and the writer Laura Guy focuses on Smyth's contribution to feminist and queer activism and cultural production after she arrived in London from Ireland in the early 1980s. The conversation covers a range of activities in which Smyth was involved in the ensuing years, including the Greenham Common Women's Peace Camp and the Troops Out Movement; feminist and community film and video production; Irish women's writing and her contribution as a cultural critic to the formation of new queer perspectives and politics in the early 1990s, particularly in her books *Lesbians Talk: Queer Notions* (1992) and *Damn Fine Art: By New Lesbian Artists* (1996). In the correspondences and fractures signalled by these connected yet heterogeneous practices, the category of "queer" emerges as a site of potentiality not only in the recent past but also for a younger generation of artists working in Ireland today.

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Publication Details

Journal
British Art Studies
Published
2025-01-01
DOI
https://doi.org/10.17658/issn.2058-5462/issue-27/csmythlguy
Primary Topic
Asian Culture and Media Studies
Type
article
Field-Weighted Citation Impact
0.00

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article

Correspondences and Fractures: Lesbians Talk Queer Formations

Laura Guy, Cherry Smyth
British Art Studies
Asian Culture and Media Studies
article

Correspondences and Fractures: Lesbians Talk Queer Formations

Laura Guy, Cherry Smyth
article en

Abstract

This interview between the poet Cherry Smyth and the writer Laura Guy focuses on Smyth's contribution to feminist and queer activism and cultural production after she arrived in London from Ireland in the early 1980s. The conversation covers a range of activities in which Smyth was involved in the ensuing years, including the Greenham Common Women's Peace Camp and the Troops Out Movement; feminist and community film and video production; Irish women's writing and her contribution as a cultural critic to the formation of new queer perspectives and politics in the early 1990s, particularly in her books *Lesbians Talk: Queer Notions* (1992) and *Damn Fine Art: By New Lesbian Artists* (1996). In the correspondences and fractures signalled by these connected yet heterogeneous practices, the category of "queer" emerges as a site of potentiality not only in the recent past but also for a younger generation of artists working in Ireland today.

British Art Studies(27)
Glasgow School of Art (GB)
Yale University
Gender equality
Openalex Percentile: Top 78%
Asian Culture and Media Studies
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Correspondences and Fractures: Lesbians Talk Queer Formations — Laura Guy, Cherry Smyth · British Art Studies (2025) | TGRS Research Map | TGRS