The Development of Zheng in the Digital Age: An Interplay of Tradition and Modernity

The Zheng, a traditional Chinese musical instrument with a history spanning over 2,500 years, has gained widespread popularity and recognition in contemporary China. Its most celebrated pieces are not only familiar to the public but have also contributed to the Zheng’s elevated status within the official cultural system, making it an important symbol of Chinese cultural identity in both name and reality. This prominence has naturally drawn the attention of musicologists and educators, who frequently highlight the Zheng’s enduring vitality and cultural significance.Despite its long history as a musical instrument, the Zheng has only recently been recognised as “traditional” by musicologists. Nor should it be overlooked that the emergence of this “tradition” as a concept is inextricably linked to the development of modern audiovisual, communicative and interactive technologies – using the full potential of digital capacities. It joins a series of “traditions” – I will consider modern inventions, whose emergence and development depend on modern technological conditions. At the same time, the “tradition” of Chinese music, to which the Zheng belongs, is not static: as socio-economic and technological conditions change, so do the forms of expression and social functions of the Zheng, becoming a “living tradition” with a rich meaning.

Authors

Institutions

Publication Details

Journal
INSAM Journal of Contemporary Music Art and Technology
Published
2025-07-20
DOI
https://doi.org/10.51191/issn.2637-1898.2025.8.14.67
Primary Topic
Asian Culture and Media Studies
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

The Development of Zheng in the Digital Age: An Interplay of Tradition and Modernity

Ruirui Ye
INSAM Journal of Contemporary Music Art and Technology
Asian Culture and Media Studies
article

The Development of Zheng in the Digital Age: An Interplay of Tradition and Modernity

Ruirui Ye
article en

Abstract

The Zheng, a traditional Chinese musical instrument with a history spanning over 2,500 years, has gained widespread popularity and recognition in contemporary China. Its most celebrated pieces are not only familiar to the public but have also contributed to the Zheng’s elevated status within the official cultural system, making it an important symbol of Chinese cultural identity in both name and reality. This prominence has naturally drawn the attention of musicologists and educators, who frequently highlight the Zheng’s enduring vitality and cultural significance.Despite its long history as a musical instrument, the Zheng has only recently been recognised as “traditional” by musicologists. Nor should it be overlooked that the emergence of this “tradition” as a concept is inextricably linked to the development of modern audiovisual, communicative and interactive technologies – using the full potential of digital capacities. It joins a series of “traditions” – I will consider modern inventions, whose emergence and development depend on modern technological conditions. At the same time, the “tradition” of Chinese music, to which the Zheng belongs, is not static: as socio-economic and technological conditions change, so do the forms of expression and social functions of the Zheng, becoming a “living tradition” with a rich meaning.

INSAM Journal of Contemporary Music Art and Technology(14)
Ethnological Museum (DE), Berlin University of the Arts (DE)
Openalex Percentile: Top 78%
Asian Culture and Media Studies
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

The Development of Zheng in the Digital Age: An Interplay of Tradition and Modernity — Ruirui Ye · INSAM Journal of Contemporary Music Art and Technology (2025) | TGRS Research Map | TGRS