‘I Have Seen the Sea’: Caribbean Aquatic Poetics in Monique Roffey’s The Mermaid of Black Conch

The polyvalent nature of water is one often explored in fiction by Caribbean writers, and this paper will consider the ways that the representations of mermaids act as an extension of this exploration. Mermaids are central to a number of folk traditions across the Caribbean region and its diaspora. On islands, including Trinidad, Martinique, Carriacou, and Haiti, with names such as Fairymaid, Mama Glo, and La Siren, mermaids are often regarded as mothers and protectresses of both the sea and the creatures within it. This paper will analyse the representation of the mermaid in Monique Roffey’s The Mermaid of Black Conch (2020) and consider how the novel utilises the mermaid and an aquatic poetics to explore Kamau Brathwaite’s conceptualisation of a submarine unity for the Caribbean.