"Decorum of Spirit-resonance and Vividness": Aesthetic Representation of Modern Chinese Boneless Paintings

The purpose of this article is to explain how the traditional aesthetic characteristics of "decorum of spirit-resonance and vividness" are represented in modern Chinese paintings. This article uses the qualitative research method of observing illustrations and document analysis, and through the research and analysis of modern boneless painters and their works, summarizes the performance of modern boneless paintings in terms of "decorum of spirit-resonance and vividness", thereby proving that modern boneless paintings have the aesthetic characteristics of bone painting continue on the basis of the aesthetic characteristics of traditional Chinese painting. It is a general summary of contemporary Chinese painting, which illustrates the innovative development of Chinese painting and also reflects the inclusiveness of contemporary Chinese painting.

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Publication Details

Journal
ICCCM Journal of Social Sciences and Humanities
Published
2024-09-01
DOI
https://doi.org/10.53797/icccmjssh.v3i5.10.2024
Primary Topic
Chinese history and philosophy
Type
article
Field-Weighted Citation Impact
0.00
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article

"Decorum of Spirit-resonance and Vividness": Aesthetic Representation of Modern Chinese Boneless Paintings

Hamidi Abdul Hadi, Issarezal Ismail, Ishak Ramli, Feifei Duan
ICCCM Journal of Social Sciences and Humanities
Chinese history and philosophy
article

"Decorum of Spirit-resonance and Vividness": Aesthetic Representation of Modern Chinese Boneless Paintings

Hamidi Abdul Hadi, Issarezal Ismail, Ishak Ramli, Feifei Duan
article en

Abstract

The purpose of this article is to explain how the traditional aesthetic characteristics of "decorum of spirit-resonance and vividness" are represented in modern Chinese paintings. This article uses the qualitative research method of observing illustrations and document analysis, and through the research and analysis of modern boneless painters and their works, summarizes the performance of modern boneless paintings in terms of "decorum of spirit-resonance and vividness", thereby proving that modern boneless paintings have the aesthetic characteristics of bone painting continue on the basis of the aesthetic characteristics of traditional Chinese painting. It is a general summary of contemporary Chinese painting, which illustrates the innovative development of Chinese painting and also reflects the inclusiveness of contemporary Chinese painting.

ICCCM Journal of Social Sciences and HumanitiesVol. 3(5)
Universiti Teknologi Petronas (MY)
Openalex Percentile: Top 51%
Chinese history and philosophy
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