Crafting Fieldwork and Insider/Outsider Collaborations: Musical Ethnography in Sardinia

Abstract This article examines fieldwork methodologies and musical ethnography using our respective experiences doing fieldwork on music in Sardinia, Italy. Taking inspiration from the collaborative processes that characterize Sardinian music of oral tradition, we show how our understanding of Sardinian musics and knowledge practices is enriched through our collaborative work, as insiders (Lutzu) and outsiders (Jacobsen) to Sardinia. Building on our training in cultural anthropology in the United States (Jacobsen) and ethnomusicology in Italy (Lutzu), we suggest that, just as musicians “craft” their performance practices, so too do ethnographers craft their situated knowledge practices and scholarly work. We call this approach “crafting.”

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Publication Details

Journal
Ethnomusicology
Published
2025-01-01
DOI
https://doi.org/10.5406/21567417.69.2.08
Primary Topic
Diverse Musicological Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Crafting Fieldwork and Insider/Outsider Collaborations: Musical Ethnography in Sardinia

Marco Francesco Lutzu, Kristina Jacobsen
Ethnomusicology
Diverse Musicological Studies
article

Crafting Fieldwork and Insider/Outsider Collaborations: Musical Ethnography in Sardinia

Marco Francesco Lutzu, Kristina Jacobsen
article en

Abstract

Abstract This article examines fieldwork methodologies and musical ethnography using our respective experiences doing fieldwork on music in Sardinia, Italy. Taking inspiration from the collaborative processes that characterize Sardinian music of oral tradition, we show how our understanding of Sardinian musics and knowledge practices is enriched through our collaborative work, as insiders (Lutzu) and outsiders (Jacobsen) to Sardinia. Building on our training in cultural anthropology in the United States (Jacobsen) and ethnomusicology in Italy (Lutzu), we suggest that, just as musicians “craft” their performance practices, so too do ethnographers craft their situated knowledge practices and scholarly work. We call this approach “crafting.”

EthnomusicologyVol. 69(2)
University of Cagliari (IT)
Openalex Percentile: Top 82%
Diverse Musicological Studies
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Crafting Fieldwork and Insider/Outsider Collaborations: Musical Ethnography in Sardinia — Marco Francesco Lutzu, Kristina Jacobsen · Ethnomusicology (2025) | TGRS Research Map | TGRS