The flamboyance of things: Handmade material culture in new-wave carnival in New Orleans

Carnival in New Orleans is a complex, vibrant field of cultural production that generates a wealth of material culture. In the small-scale, countercultural 'new wave' of carnival 'krewes' or clubs that have proliferated since Hurricane Katrina, that material culture is often handmade. Framed by Daniel Miller's dialectical theory of material culture and drawing on ethnographic fieldwork spanning several carnival seasons, this paper unpacks what is at stake in new-wave carnival's costumes, throws, and floats. We argue that making these objects makes carnival itself: the handmade things shape people's experiences of carnival, generating vivid, memorable interactions and encounters, which they later encapsulate as mementos. In their handmade-ness, carnival-makers not only recognize the effort that people put into the events, but also carnival's sociality and relationality. While Miller emphasizes 'the humility of things,' these things are loud and flamboyant. They nonetheless help illustrate how culture unfolds with and through stuff.