The Author’s “Self”-narrative as a Self-presentation’s Result and an Intermediate Poetics’ Subject (on Example of the 2010–2020s Female Poetry

The article attempts to analyze an author’s figure as a communicative link of intermediate poetics’ subject structure, which is formed in process of its self-presentation and media imaging replication. Taking into account the fact that an author’s personality, within the framework of media literatute concept by L. Levina, is a backbone element of discourse, and his biographical and professional existence can manifest themselves differently in a media space and beyond, the most relevant in this seems is the narrative-constructivist approach. In process of building many interconnected “Self”-narratives - personal and discursive, external and internal polycode structures - forming an author’s “empirical Self” in the universe, an author’s personality is available to recipient not as something speculative, but as a very real, something complementary to his work, including interactive interaction with an audience, which, due to the specifics of contemporary media functionality, has a direct influence on interpretation and formation of these narratives. Thus, there is a significant transformation of the traditional in poetry communication triad “author-text-recipient”, where author’s self-identification and positioning begin to play a special role, constructing, as a result, through totality of “Self”-narratives, a metadata-discursive subject, which is an integral part of an intermediate poetics’ metatextual education in general and a separate media text in particular.