<em>The Process</em> (2023): Non-Professional Film Performance and Representing Embodied Trauma through Documentary

This is an accepted article with a DOI pre-assigned that is not yet published.This article examines the process of collaborating with non-professional actors in the creation of a fictional audio-visual work (a documentary short film) representing forms of embodied vulnerability. It explores how non-professional actors and filmmakers can creatively and ethically utilise actors’ lived experience in the process of creating characters who themselves experience forms of trauma in the fiction like those experienced by the actors in their lives. Drawing on the findings from a collaborative research project on non-professional film performance and embodied trauma, the article examines the ethics and politics of representing trauma through a documentary film with non-professional actors. This is done through meta-critical reflection based on participant observations carried out during the documentary’s rehearsal and development process, as well as close readings of the final edit of the documentary short film.

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Publication Details

Journal
Open Screens
Published
2025-07-14
DOI
https://doi.org/10.16995/os.18695
Primary Topic
Medical and Biological Sciences
Type
article
Field-Weighted Citation Impact
0.00
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article

The Process (2023): Non-Professional Film Performance and Representing Embodied Trauma through Documentary

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Open Screens
Medical and Biological Sciences
article

The Process (2023): Non-Professional Film Performance and Representing Embodied Trauma through Documentary

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Abstract

This is an accepted article with a DOI pre-assigned that is not yet published.This article examines the process of collaborating with non-professional actors in the creation of a fictional audio-visual work (a documentary short film) representing forms of embodied vulnerability. It explores how non-professional actors and filmmakers can creatively and ethically utilise actors’ lived experience in the process of creating characters who themselves experience forms of trauma in the fiction like those experienced by the actors in their lives. Drawing on the findings from a collaborative research project on non-professional film performance and embodied trauma, the article examines the ethics and politics of representing trauma through a documentary film with non-professional actors. This is done through meta-critical reflection based on participant observations carried out during the documentary’s rehearsal and development process, as well as close readings of the final edit of the documentary short film.

Open ScreensVol. 7(3)
Tampere University (FI), University of Bristol (GB)
Openalex Percentile: Top 63%
Medical and Biological Sciences
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