Gamification of Terror: Bearing Witness to Disciplinary Power in Netflix's <i>Unlocked: A Jail Experiment</i>

This article critically examines Unlocked: A Jail Experiment , a Netflix reality series that documents an unregulated “experiment” at Pulaski County Regional Detention Facility. In the show, the sheriff unlocks cell doors, prompting incarcerated individuals to abruptly transition from 23-hour-per-day lockdown to self-governance. Drawing on Foucault's concept of disciplinary power and Bentham's panopticon, the study argues Unlocked extends carceral surveillance into entertainment, gamifying incarcerated people's lives. Through critical performance ethnography, the analysis highlights how the dangerous new “gamification of terror” genre implicates audiences in co-performative witnessing of carceral violence and raises urgent ethical concerns about media's role in commodifying human suffering.

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Publication Details

Journal
The Prison Journal
Published
2025-07-13
DOI
https://doi.org/10.1177/00328855251355495
Primary Topic
Criminal Justice and Corrections Analysis
Type
article
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article

Gamification of Terror: Bearing Witness to Disciplinary Power in Netflix's Unlocked: A Jail Experiment

Stephanie M. Kaczynski, Megan Foster
The Prison Journal
Criminal Justice and Corrections Analysis
article

Gamification of Terror: Bearing Witness to Disciplinary Power in Netflix's Unlocked: A Jail Experiment

Stephanie M. Kaczynski, Megan Foster
article en

Abstract

This article critically examines Unlocked: A Jail Experiment , a Netflix reality series that documents an unregulated “experiment” at Pulaski County Regional Detention Facility. In the show, the sheriff unlocks cell doors, prompting incarcerated individuals to abruptly transition from 23-hour-per-day lockdown to self-governance. Drawing on Foucault's concept of disciplinary power and Bentham's panopticon, the study argues Unlocked extends carceral surveillance into entertainment, gamifying incarcerated people's lives. Through critical performance ethnography, the analysis highlights how the dangerous new “gamification of terror” genre implicates audiences in co-performative witnessing of carceral violence and raises urgent ethical concerns about media's role in commodifying human suffering.

The Prison JournalVol. 105(4)
University of North Carolina at Chapel Hill (US)
Openalex Percentile: Top 77%
Criminal Justice and Corrections Analysis
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