An Acoustic Study of Vocal Emotions in Yoruba

The vocal expression of different emotional states is an essential part of communication. However, vocal emotion in African languages has not attracted much scholarly works. This study investigates the roles of pitch, intensity, and speech rate in the vocal expression of angry, happy, sad, fear, disgust and neutral emotions in Yoruba, a West Benue- Congo language spoken predominantly in Southwestern Nigeria. Data were gathered from 12 professional and church actors using utterances that can be expressed in the six different emotional states. The results of the acoustic analysis show that the expression of emotions in Yoruba employs a blend of cues from pitch level, intensity and speech rate. Although the presence of three tones plus a downstep in Yoruba results in a congestion of the tone space thereby plac- ing a limitation on the effects of pitch change in the discrimination of vocal emotions, notable differences in pitch change still exist across the emotional categories. It is concluded that the vocal expression of emotion deploys a com- plex interaction between pitch, speech rate and intensity.

Authors

Publication Details

Journal
International Journal of Modern Languages And Applied Linguistics
Published
2025-07-14
DOI
https://doi.org/10.24191/ijmal.v8i3.7424
Primary Topic
Speech and Audio Processing
Type
article
Field-Weighted Citation Impact
0.00
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article

An Acoustic Study of Vocal Emotions in Yoruba

Kolawole Adeniyi
International Journal of Modern Languages And Applied Linguistics
Speech and Audio Processing
article

An Acoustic Study of Vocal Emotions in Yoruba

Kolawole Adeniyi
article en

Abstract

The vocal expression of different emotional states is an essential part of communication. However, vocal emotion in African languages has not attracted much scholarly works. This study investigates the roles of pitch, intensity, and speech rate in the vocal expression of angry, happy, sad, fear, disgust and neutral emotions in Yoruba, a West Benue- Congo language spoken predominantly in Southwestern Nigeria. Data were gathered from 12 professional and church actors using utterances that can be expressed in the six different emotional states. The results of the acoustic analysis show that the expression of emotions in Yoruba employs a blend of cues from pitch level, intensity and speech rate. Although the presence of three tones plus a downstep in Yoruba results in a congestion of the tone space thereby plac- ing a limitation on the effects of pitch change in the discrimination of vocal emotions, notable differences in pitch change still exist across the emotional categories. It is concluded that the vocal expression of emotion deploys a com- plex interaction between pitch, speech rate and intensity.

International Journal of Modern Languages And Applied LinguisticsVol. 8(3)
Openalex Percentile: Top 80%
Speech and Audio Processing
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