Kinship as a Counter to the Settler Gaze in Stephen Graham Jones’s The Only Good Indians

Abstract: Stephen Graham Jones’s 2020 horror novel The Only Good Indians follows the haunting and murder of four Blackfeet men by a vengeful monster called Elk Head Woman, who manipulates the settler gaze to make the men look to outsiders as the source of the violence, much as violence within real-life Indigenous communities is often illegible to those outside them. In borrowing and adapting the deer woman trope, the novel furthers Jones’s longstanding challenge to settler notions of Indigenous authenticity by both textually and metatextually countering the myth that Indigenous people have an innate connection to their culture. Instead, it offers a vision of kinship among characters with diverse ways of being “good Indians” as an alternative to essentialism that allows Indigenous people and artists, including writers of horror fiction, to escape the constraints of the settler gaze.