Seriality and Characterisation in the Press: Death Club Sensationalism, the 1848 Revolutions, and Reviews of Mary Barton

Abstract: Newspaper reporting on Mrs. May, executed for poisoning her brother-in-law in 1848, offers one example of how journalism used narrative techniques to shape public opinion about the working classes. That same year, English newspapers likewise employed literary devices and allusions when representing France’s revolution, which forced King Philippe I to abdicate. Concurrently, book reviews in the periodical press on Elizabeth Gaskell’s Mary Barton debated the veracity of its working-class representations. Methodologically, this article works with periodical studies and its intersection with narratology and media theory. Without ignoring financial stakes such as advertising, this analysis argues that less-visible structures embedded in the nineteenth-century press entrenched or constructed anti-working-class, popular biases.

Authors

Publication Details

Journal
Victorian periodicals review
Published
2024-12-01
DOI
https://doi.org/10.1353/vpr.2024.a965276
Primary Topic
Australian History and Society
Type
article
Field-Weighted Citation Impact
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article

Seriality and Characterisation in the Press: Death Club Sensationalism, the 1848 Revolutions, and Reviews of Mary Barton

Camille L. Stallings
Victorian periodicals review
Australian History and Society
article

Seriality and Characterisation in the Press: Death Club Sensationalism, the 1848 Revolutions, and Reviews of Mary Barton

Camille L. Stallings
article en

Abstract

Abstract: Newspaper reporting on Mrs. May, executed for poisoning her brother-in-law in 1848, offers one example of how journalism used narrative techniques to shape public opinion about the working classes. That same year, English newspapers likewise employed literary devices and allusions when representing France’s revolution, which forced King Philippe I to abdicate. Concurrently, book reviews in the periodical press on Elizabeth Gaskell’s Mary Barton debated the veracity of its working-class representations. Methodologically, this article works with periodical studies and its intersection with narratology and media theory. Without ignoring financial stakes such as advertising, this analysis argues that less-visible structures embedded in the nineteenth-century press entrenched or constructed anti-working-class, popular biases.

Victorian periodicals reviewVol. 57(4)
Openalex Percentile: Top 51%
Australian History and Society
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