Музыкальный текст как результат межкультурной коммуникации: креолизованные тексты в творчестве композиторов Казахстана

Creolization represents a key phenomenon of intercultural interaction. This process manifests in communication: through language as a means of interaction, and in cultural products as a result of communication. Compositional creativity is no exception. The fusion of principles from traditional music with compositional techniques of the 20th and 21st centuries at various levels of the text has opened up a vast corpus of experimental works. The analytical discourse of this article encompasses works by composers of Kazakhstan. Some of these pieces have not been thoroughly explored, for example, Alibi Abdinurov’s “K̦uyRмаSh” for a tuba quartet, as well as other works, previously examined in the author’s studies, concerning the implementation of contemporary compositional principles, such as Sanzhar Baiterekov’s “Outlines of [Steiermark]”, and “And Everything Will Repeat Itself...” by Dmitry Ostankovich. The selected pieces are examined as examples of creolized texts through the application of aleatoric techniques. In addition to aleatorics, they combine several other compositional techniques, signs from different cultures, as well as categories beyond music. This study analyzes national musical culture of Kazakhstan, raising the issues of cross-cultural interaction that define its contemporary landscape. Music, as a form of linguistic communication, possesses unique characteristics and is increasingly being explored by linguists and cultural scholars. It seems reasonable to broaden this understanding from a musicological perspective. The study of works through the methods of comparative, stylistic, holistic, intonational analysis broadens the understanding of the stylistic panorama of contemporary Kazakh academic music during the process of creolization. The semiotic approach allows to consider the musical text as a repository of information about culture in the context of time. Viewing a piece through the lens of aleatory techniques as an example of a creolized text demonstrates the ways in which heterogeneous elements can combine and interact, how the process of co-creation creates a vibrant space for dialogue, and how different contexts for applying familiar texts form a new system of signs and fill the work with new meanings.