KING'S THE STAND: DWELLING NECROPOLITICS IN PANDEMIC'S LEGACY

This research examines Stephen King's The Stand through the lens of Achille Mbembe's necropolitics and the pandemic narrative approach, analyzing how the novel portrays a pandemic as a state of siege. The research reveals that the pandemic in The Stand serves not only as a source of fear and societal disruption, highlighting human mortality and the fragility of social structures, but also as a catalyst for necropolitical governance, where sovereignty operates through the control of life and death, utilizing fear to maintain dominance. Utilizing a qualitative methodology focused on character interactions, control mechanisms, and depictions of death, the research demonstrates how the post-pandemic landscape in the novel reflects a slow social and political death, alongside physical demise. Additionally, this work implicates King's negotiation of humanity as an aspiration for peace, effectively neutralizing the pervasive fear of necropolitical implementation during a pandemic, as perceived at the time of the novel's release.

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Publication Details

Journal
English Review Journal of English Education
Published
2025-07-05
DOI
https://doi.org/10.25134/yn1s5g32
Primary Topic
South Asian Cinema and Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

KING'S THE STAND: DWELLING NECROPOLITICS IN PANDEMIC'S LEGACY

Asharaf Abdul Salam, Maharanny Poetri
English Review Journal of English Education
South Asian Cinema and Culture
article

KING'S THE STAND: DWELLING NECROPOLITICS IN PANDEMIC'S LEGACY

Asharaf Abdul Salam, Maharanny Poetri
article en

Abstract

This research examines Stephen King's The Stand through the lens of Achille Mbembe's necropolitics and the pandemic narrative approach, analyzing how the novel portrays a pandemic as a state of siege. The research reveals that the pandemic in The Stand serves not only as a source of fear and societal disruption, highlighting human mortality and the fragility of social structures, but also as a catalyst for necropolitical governance, where sovereignty operates through the control of life and death, utilizing fear to maintain dominance. Utilizing a qualitative methodology focused on character interactions, control mechanisms, and depictions of death, the research demonstrates how the post-pandemic landscape in the novel reflects a slow social and political death, alongside physical demise. Additionally, this work implicates King's negotiation of humanity as an aspiration for peace, effectively neutralizing the pervasive fear of necropolitical implementation during a pandemic, as perceived at the time of the novel's release.

English Review Journal of English EducationVol. 13(2)
Universitas Gadjah Mada (ID)
Openalex Percentile: Top 84%
South Asian Cinema and Culture
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