An Analysis of Psychological Aspect of The Main Character in Shadow and Bone Movie

This study investigates the psychological dimensions of the main character in the film Shadow and Bone using Bernhardt’s (1953) theory of human motivation. The analysis focuses on five key motivational categories: organic needs, desire, emotions as motives, feelings and attitudes as motives, and social motives. Through qualitative descriptive methods, 24 instances of psychological motivation were identified from the film. The findings indicate that desire-related motivations (33.3%) and organic needs (29.1%) are most dominant in shaping the character of Alina, the protagonist. These motivations are closely tied to Alina’s experiences of personal conflict, social rejection, and emotional struggle, which drive her actions and development throughout the narrative. The study highlights how cinematic characters can serve as complex psychological representations, enriching narrative depth and enhancing audience empathy. This research contributes to the interdisciplinary discourse between psychology, literature, and film studies, emphasizing the importance of psychological realism in character construction.

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Publication Details

Journal
Austronesian Journal of Language Science & Literature
Published
2025-04-05
DOI
https://doi.org/10.59011/austronesian.4.1.2025.20-29
Primary Topic
Asian Culture and Media Studies
Type
article
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article

An Analysis of Psychological Aspect of The Main Character in Shadow and Bone Movie

Ida Ayu Mela Tustiawati, Maya Dwiayu Priyanti
Austronesian Journal of Language Science & Literature
Asian Culture and Media Studies
article

An Analysis of Psychological Aspect of The Main Character in Shadow and Bone Movie

Ida Ayu Mela Tustiawati, Maya Dwiayu Priyanti
article en

Abstract

This study investigates the psychological dimensions of the main character in the film Shadow and Bone using Bernhardt’s (1953) theory of human motivation. The analysis focuses on five key motivational categories: organic needs, desire, emotions as motives, feelings and attitudes as motives, and social motives. Through qualitative descriptive methods, 24 instances of psychological motivation were identified from the film. The findings indicate that desire-related motivations (33.3%) and organic needs (29.1%) are most dominant in shaping the character of Alina, the protagonist. These motivations are closely tied to Alina’s experiences of personal conflict, social rejection, and emotional struggle, which drive her actions and development throughout the narrative. The study highlights how cinematic characters can serve as complex psychological representations, enriching narrative depth and enhancing audience empathy. This research contributes to the interdisciplinary discourse between psychology, literature, and film studies, emphasizing the importance of psychological realism in character construction.

Austronesian Journal of Language Science & LiteratureVol. 4(1)
Universitas Mahasaraswati Denpasar (ID)
Openalex Percentile: Top 80%
Asian Culture and Media Studies
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