Ser barro, hacer mundo: prácticas cerámicas cubeo y correspondencias multiespecies con el suelo vivo

This article sediments in the interaction between the collective Cubay Jëjënava, formed by cubeo indigenous people from the Vaupés region, and the Amazonian clay soil, particularly the blue clay, considered the excrement of the güío progenitor. This material transcends its utilitarian character to become a living sediment, charged with the memories of Earth. Through traditional techniques, like kneading and burning, blue clay transforms into objects that not only fulfill practical functions but also preserve stories that interweave the human and the not-human, the living and the not-living. I review the geological history of the Amazonian soil, formed millions of years ago, highlighting that, far from being infertile, these soils act as active agents in the co-creation of life and in the interaction with human communities. Blue and gray clays, often consideredlimiting from the perspective of scientific and colonial narratives, are resignified by indigenous practices as partners in the generation of live forms and creative possibilities. Earth’s color (white, yellow, blue and red) are essential in this dynamics, exemplified by the carayurú, a red pigment used as a protection, healing and communication substance, which is also used to create protective traces on the faces of the people who work with the blue clay, and whose forms are replicated in the ceramics and reverberate in paintings in ancient rocks. This link reinforces the connection between the bodies and the territory, underlining the interdependence between the soil and those who inhabit it, demonstrating, as well, that the soil, far from being an inert entity, is a vibrant organism in constant transformation, capable of generating life and meaning through indigenous material practices.

Authors

Institutions

Publication Details

Journal
Cuadernos de Música Artes Visuales y Artes Escénicas
Published
2025-07-01
DOI
https://doi.org/10.11144/javeriana.mavae20-2.bcms
Primary Topic
Archaeological and Geological Studies
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Ser barro, hacer mundo: prácticas cerámicas cubeo y correspondencias multiespecies con el suelo vivo

María Camila Montalvo-Senior
Cuadernos de Música Artes Visuales y Artes Escénicas
Archaeological and Geological Studies
article

Ser barro, hacer mundo: prácticas cerámicas cubeo y correspondencias multiespecies con el suelo vivo

María Camila Montalvo-Senior
article en

Abstract

This article sediments in the interaction between the collective Cubay Jëjënava, formed by cubeo indigenous people from the Vaupés region, and the Amazonian clay soil, particularly the blue clay, considered the excrement of the güío progenitor. This material transcends its utilitarian character to become a living sediment, charged with the memories of Earth. Through traditional techniques, like kneading and burning, blue clay transforms into objects that not only fulfill practical functions but also preserve stories that interweave the human and the not-human, the living and the not-living. I review the geological history of the Amazonian soil, formed millions of years ago, highlighting that, far from being infertile, these soils act as active agents in the co-creation of life and in the interaction with human communities. Blue and gray clays, often consideredlimiting from the perspective of scientific and colonial narratives, are resignified by indigenous practices as partners in the generation of live forms and creative possibilities. Earth’s color (white, yellow, blue and red) are essential in this dynamics, exemplified by the carayurú, a red pigment used as a protection, healing and communication substance, which is also used to create protective traces on the faces of the people who work with the blue clay, and whose forms are replicated in the ceramics and reverberate in paintings in ancient rocks. This link reinforces the connection between the bodies and the territory, underlining the interdependence between the soil and those who inhabit it, demonstrating, as well, that the soil, far from being an inert entity, is a vibrant organism in constant transformation, capable of generating life and meaning through indigenous material practices.

Cuadernos de Música Artes Visuales y Artes EscénicasVol. 20(2)
Universidad Nacional de Colombia (CO)
Openalex Percentile: Top 81%
Archaeological and Geological Studies
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.