Cast Ashore: Sensory Interactions with Sea-derived Matter

Cast Ashore presents two interactive artefacts—Agar Piano and Sea Tile—that invite audiences to touch, see, and hear an artistic reflection on the porous boundaries between humans, nonhumans, technology, and the vital aquatic world. These artefacts encourage playful, sensorial engagement with sea-derived materials— often cast ashore by the ebbing and flowing of tides — foregrounding their ecological origins, lifecycles, and entanglements with more-than-human agencies. Developed through a collaborative practice between a digital media PhD researcher and a computer scientist, this work emerged from mutual curiosity to combine biomaterials and interaction in an open-access citizen science lab and makerspace. Drawing on the Arts of Noticing, the first author engaged in a reflective making practice1 that underpins the design of these interactive objects. These artefacts celebrate the vitality and agency of once-living sea-derived matter, prompting curiosity about where these materials come from, how they transform, and what kinds of stories they might tell.

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Publication Details

Published
2025-07-05
DOI
https://doi.org/10.1145/3715668.3735597
Primary Topic
Innovative Human-Technology Interaction
Type
article
Field-Weighted Citation Impact
0.00

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article

Cast Ashore: Sensory Interactions with Sea-derived Matter

F. Vasco Costa, Renata Longo Pereira
Innovative Human-Technology Interaction
article

Cast Ashore: Sensory Interactions with Sea-derived Matter

F. Vasco Costa, Renata Longo Pereira
article en

Abstract

Cast Ashore presents two interactive artefacts—Agar Piano and Sea Tile—that invite audiences to touch, see, and hear an artistic reflection on the porous boundaries between humans, nonhumans, technology, and the vital aquatic world. These artefacts encourage playful, sensorial engagement with sea-derived materials— often cast ashore by the ebbing and flowing of tides — foregrounding their ecological origins, lifecycles, and entanglements with more-than-human agencies. Developed through a collaborative practice between a digital media PhD researcher and a computer scientist, this work emerged from mutual curiosity to combine biomaterials and interaction in an open-access citizen science lab and makerspace. Drawing on the Arts of Noticing, the first author engaged in a reflective making practice1 that underpins the design of these interactive objects. These artefacts celebrate the vitality and agency of once-living sea-derived matter, prompting curiosity about where these materials come from, how they transform, and what kinds of stories they might tell.

University of Lisbon (PT), Câmara Municipal de Lisboa (PT), Instituto Superior de Tecnologias Avançadas (PT)
Fundação para a Ciência e a Tecnologia
Life below water
Openalex Percentile: Top 84%
Innovative Human-Technology Interaction
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