‘The time is ripe for revolution’: Burt Chernow and the founding of the Housatonic Museum of Art

Abstract In 1967, a year of profound social and political upheaval in American history, an educator and art historian named Burt Chernow (1933–1997) founded a public art collection at a small urban community college in Bridgeport, Connecticut. Described as one of the poorest and most racially diverse cities in the state, Bridgeport was an unusual choice for a blue-chip collection of modern American art. Part of a wave of ‘cause-based’ collecting in the late 1960s and early 1970s, Chernow’s collection has since grown and thrived, helping to educate generations of learners who have, in turn, informed the collection’s scope and articulation. This article explores the intellectual underpinning and material circumstances that inspired Chernow’s radical mission to make fine art accessible to all, and contributes to a fuller appreciation of the history of museological grassroots activism that followed the long 1960s.

Authors

Publication Details

Journal
Journal of the History of Collections
Published
2025-07-01
DOI
https://doi.org/10.1093/jhc/fhaf023
Primary Topic
Museums and Cultural Heritage
Type
article
Field-Weighted Citation Impact
0.00
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article

‘The time is ripe for revolution’: Burt Chernow and the founding of the Housatonic Museum of Art

Sarah Churchill
Journal of the History of Collections
Museums and Cultural Heritage
article

‘The time is ripe for revolution’: Burt Chernow and the founding of the Housatonic Museum of Art

Sarah Churchill
article en

Abstract

Abstract In 1967, a year of profound social and political upheaval in American history, an educator and art historian named Burt Chernow (1933–1997) founded a public art collection at a small urban community college in Bridgeport, Connecticut. Described as one of the poorest and most racially diverse cities in the state, Bridgeport was an unusual choice for a blue-chip collection of modern American art. Part of a wave of ‘cause-based’ collecting in the late 1960s and early 1970s, Chernow’s collection has since grown and thrived, helping to educate generations of learners who have, in turn, informed the collection’s scope and articulation. This article explores the intellectual underpinning and material circumstances that inspired Chernow’s radical mission to make fine art accessible to all, and contributes to a fuller appreciation of the history of museological grassroots activism that followed the long 1960s.

Journal of the History of CollectionsVol. 37(2)
Openalex Percentile: Top 83%
Museums and Cultural Heritage
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