Visualizando as obras cartográficas celestiais de Albrecht Dürer

This article investigates the production of a terrestrial map and two celestial maps by Albrecht Dürer in the early sixteenth century, under the patronage of Emperor Maximilian I. The focus is on the artist’s collaboration with Johannes Stabius, the court historian and astronomer responsible for drawing the coordinates, and Conrad Heinfogel, who was in charge of fixing the stars. The article aims to address how these collaborative works showed that Dürer was the dominant influence in the final stages of the mapmaking. What is the nature of the artistic and scientific forces in early modern maps? His celestial maps were printed numerous times and distributed throughout Europe. They were a novelty in the sixteenth century, combining the precision of the positioning of the stars with the classical figures of the constellations. Futhermore, the article examines how Dürer’s cartographic works demonstrated innovation in form and representation.

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Publication Details

Journal
MODOS Revista de História da Arte
Published
2025-04-20
DOI
https://doi.org/10.20396/modos.v9i1.8677442
Primary Topic
Historical Art and Architecture Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Visualizando as obras cartográficas celestiais de Albrecht Dürer

Jefferson Mendes
MODOS Revista de História da Arte
Historical Art and Architecture Studies
article

Visualizando as obras cartográficas celestiais de Albrecht Dürer

Jefferson Mendes
article en

Abstract

This article investigates the production of a terrestrial map and two celestial maps by Albrecht Dürer in the early sixteenth century, under the patronage of Emperor Maximilian I. The focus is on the artist’s collaboration with Johannes Stabius, the court historian and astronomer responsible for drawing the coordinates, and Conrad Heinfogel, who was in charge of fixing the stars. The article aims to address how these collaborative works showed that Dürer was the dominant influence in the final stages of the mapmaking. What is the nature of the artistic and scientific forces in early modern maps? His celestial maps were printed numerous times and distributed throughout Europe. They were a novelty in the sixteenth century, combining the precision of the positioning of the stars with the classical figures of the constellations. Futhermore, the article examines how Dürer’s cartographic works demonstrated innovation in form and representation.

MODOS Revista de História da ArteVol. 9(1)
Universidade do Estado do Rio de Janeiro (BR)
Openalex Percentile: Top 79%
Historical Art and Architecture Studies
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