On <i>Pulchi Shake and Spear</i> : An interview with Bruno Leone

This interview explores the work of Bruno Leone, a Neapolitan puppeteer, credited with reviving the traditional Neapolitan guarattelle theatre. Leone discusses the history and characteristics of Guarattelle, a glove puppet theatre centred on the character of Pulcinella. He speaks of his training with Nunzio Zampella, his work in training new puppeteers, and the founding of the Scuola delle guarattelle. Leone also gives an insight into his creative process, his target audience and his approach to performing abroad. He also explains his work adapting classic authors such as Shakespeare, Cervantes, and Dante for puppet theatre, and exploring topics such as villainy and violence through puppets. Leone emphasises the importance of audience participation and the unique qualities of Neapolitan puppetry.

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Publication Details

Journal
Cahiers Élisabéthains A Journal of English Renaissance Studies
Published
2025-07-01
DOI
https://doi.org/10.1177/01847678251339181
Primary Topic
Theatre and Performance Studies
Type
article
Field-Weighted Citation Impact
0.00
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On Pulchi Shake and Spear : An interview with Bruno Leone

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Cahiers Élisabéthains A Journal of English Renaissance Studies
Theatre and Performance Studies
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On Pulchi Shake and Spear : An interview with Bruno Leone

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article en

Abstract

This interview explores the work of Bruno Leone, a Neapolitan puppeteer, credited with reviving the traditional Neapolitan guarattelle theatre. Leone discusses the history and characteristics of Guarattelle, a glove puppet theatre centred on the character of Pulcinella. He speaks of his training with Nunzio Zampella, his work in training new puppeteers, and the founding of the Scuola delle guarattelle. Leone also gives an insight into his creative process, his target audience and his approach to performing abroad. He also explains his work adapting classic authors such as Shakespeare, Cervantes, and Dante for puppet theatre, and exploring topics such as villainy and violence through puppets. Leone emphasises the importance of audience participation and the unique qualities of Neapolitan puppetry.

Cahiers Élisabéthains A Journal of English Renaissance StudiesVol. 117(1)
Centre National de la Recherche Scientifique (FR), Université de Bretagne Occidentale (FR), Université de Montpellier (FR), Université Paul-Valéry Montpellier (FR)
Openalex Percentile: Top 84%
Theatre and Performance Studies
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