Menander in the Critical View of Quintilian and Gellius

This work arises from the question whether it is possible for a Latinist to be truly such without Knowing the influence of the ancient Greek civilization on Latin literature, and particularly on the theatrical genre, that has inspired the theater of all time. The examination of Menander in the critical view of the authors Quintilian and Gellius shows that it would be impossible to be a true Latinist without knowing the Greek ancestry of Latin Comedies, as for the <i>Plocium </i>of Caecilius Statius and the <i>Plókion</i> of Menander. The parallel between the fragments of the comedy <i>Plocium </i>by Caecilius and <i>Plókion </i>by Menander confirms that only the comparative deepening of the Greek/Latin theatrical production can provide the key both for scientific research on theatre, both for the transmission of the human values represented in it to the new generation of scholars. With this work Consoli also intends to recompose the separation of studies between text and theatrical performance, believing that even a fragment can constitute a theatrical scene.

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Publication Details

Journal
Humanities and Social Sciences
Published
2025-06-06
DOI
https://doi.org/10.11648/j.hss.20251303.15
Primary Topic
Classical Philosophy and Thought
Type
article
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article

Menander in the Critical View of Quintilian and Gellius

Consoli Elvira
Humanities and Social Sciences
Classical Philosophy and Thought
article

Menander in the Critical View of Quintilian and Gellius

Consoli Elvira
article en

Abstract

This work arises from the question whether it is possible for a Latinist to be truly such without Knowing the influence of the ancient Greek civilization on Latin literature, and particularly on the theatrical genre, that has inspired the theater of all time. The examination of Menander in the critical view of the authors Quintilian and Gellius shows that it would be impossible to be a true Latinist without knowing the Greek ancestry of Latin Comedies, as for the <i>Plocium </i>of Caecilius Statius and the <i>Plókion</i> of Menander. The parallel between the fragments of the comedy <i>Plocium </i>by Caecilius and <i>Plókion </i>by Menander confirms that only the comparative deepening of the Greek/Latin theatrical production can provide the key both for scientific research on theatre, both for the transmission of the human values represented in it to the new generation of scholars. With this work Consoli also intends to recompose the separation of studies between text and theatrical performance, believing that even a fragment can constitute a theatrical scene.

Humanities and Social SciencesVol. 13(3)
University of Salento (IT)
Openalex Percentile: Top 84%
Classical Philosophy and Thought
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