Interferencias: nuevos escenarios para el proyecto de arquitectura

The constant evolution of the different ways of practicing architecture has accelerated in recent years due to a series of concomitant factors. Digitization, which was timidly integrated into studios in the early 1980s and has been sweeping in the last decade, has transformed the way we access information, draw, and even think about projects. The exponential increase in laws and regulations has also contributed to this process, with economic repercussions on construction methods, effective floor space, and resource management. The culture of image and the spirit of permanent immediacy that characterize our time have led to an acceleration of project-related processes, giving rise to the construction of discourses with little theoretical content and favoring the use of graphic fetishes as a common subterfuge for solving fundamental problems. At ZARCH 24, we have sought to identify the new working conditions linked to architecture and urban planning, the different plural and varied contexts of action, as well as the new responsibilities of both disciplines. We have also reflected on the formats for practicing the profession, the roles associated with it, and the way in which the project should be organized to respond to all the unknowns and challenges identified.

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Publication Details

Journal
ZARCH
Published
2025-06-30
DOI
https://doi.org/10.26754/ojs_zarch/zarch.20252411664
Primary Topic
Architecture and Art History Studies
Type
article
Field-Weighted Citation Impact
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article

Interferencias: nuevos escenarios para el proyecto de arquitectura

Inés Martín Robles, Luis Burriel-Bielza, Eduardo Delgado Orusco
ZARCH
Architecture and Art History Studies
article

Interferencias: nuevos escenarios para el proyecto de arquitectura

Inés Martín Robles, Luis Burriel-Bielza, Eduardo Delgado Orusco
article en

Abstract

The constant evolution of the different ways of practicing architecture has accelerated in recent years due to a series of concomitant factors. Digitization, which was timidly integrated into studios in the early 1980s and has been sweeping in the last decade, has transformed the way we access information, draw, and even think about projects. The exponential increase in laws and regulations has also contributed to this process, with economic repercussions on construction methods, effective floor space, and resource management. The culture of image and the spirit of permanent immediacy that characterize our time have led to an acceleration of project-related processes, giving rise to the construction of discourses with little theoretical content and favoring the use of graphic fetishes as a common subterfuge for solving fundamental problems. At ZARCH 24, we have sought to identify the new working conditions linked to architecture and urban planning, the different plural and varied contexts of action, as well as the new responsibilities of both disciplines. We have also reflected on the formats for practicing the profession, the roles associated with it, and the way in which the project should be organized to respond to all the unknowns and challenges identified.

ZARCH(24)
Universidad de Zaragoza (ES), École Nationale Supérieure d'Architecture de Paris-Belleville (FR), University of Virginia (US)
Openalex Percentile: Top 85%
Architecture and Art History Studies
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Interferencias: nuevos escenarios para el proyecto de arquitectura — Inés Martín Robles, Luis Burriel-Bielza, et al. · ZARCH (2025) | TGRS Research Map | TGRS