Digitalized Capitalist Control in McEwan’s <i>Machines Like Me</i> and Winterson’s <i>The Stone Gods</i>

Ian McEwan and Jeanette Winterson are both prominent figures in contemporary British literature. Their works, <i>Machines Like Me</i> and <i>The Stone Gods,</i> closely follow the theme of the times and probe into individual, national, and global concerns. Current researches on these two novels often emphasize human-machine coexistence in it, with most Western critics mainly focusing on human ethical responsibility, such as man’s violence towards AI. This neglects human beings as the passive victims due to the invasion of digital technology, and the potential Western capitalist exploitation. In the context of this, this thesis revisits the Western Marxist critique of Western capitalism, by examining how digital technology is applied in different areas of human society in the two novels, it aims to explore how these digital advancements facilitate today’s capitalist control. The thesis finds that digital technology is mainly applied in three areas in the novels, namely, the capitalist manipulation process through digital market, digital commodity, and digital surveillance. Firstly, digital technology contributes to the emergence of digital market, thus providing a new domain for Western capitalists to control online transactors. Secondly, the innovation of online market has driven the digital transformation of commodities, with digital commodity becoming a new embodiment for Western capitalists to further control consumers. Finally, the increasing demand for digital commodities that could used for surveillance practices indicates the phenomenon of digital surveillance, intensifying Western capitalist’s control over the masses. In summary, <i>Machines Like Me</i> and<i> The Stone Gods</i> depict a world where digital technologies have penetrated nearly every aspect of life. In doing this, they show how these digital applications are, and could be used by Western capitalists to enhance their exploitation and exert a complete control over humans beings.

Authors

Institutions

Publication Details

Journal
Humanities and Arts
Published
2025-06-30
DOI
https://doi.org/10.57237/j.ha.2025.01.002
Primary Topic
Contemporary Literature and Criticism
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Digitalized Capitalist Control in McEwan’s <i>Machines Like Me</i> and Winterson’s <i>The Stone Gods</i>

W. Chen, Xiaohui Liang
Humanities and Arts
Contemporary Literature and Criticism
article

Digitalized Capitalist Control in McEwan’s <i>Machines Like Me</i> and Winterson’s <i>The Stone Gods</i>

W. Chen, Xiaohui Liang
article en

Abstract

Ian McEwan and Jeanette Winterson are both prominent figures in contemporary British literature. Their works, <i>Machines Like Me</i> and <i>The Stone Gods,</i> closely follow the theme of the times and probe into individual, national, and global concerns. Current researches on these two novels often emphasize human-machine coexistence in it, with most Western critics mainly focusing on human ethical responsibility, such as man’s violence towards AI. This neglects human beings as the passive victims due to the invasion of digital technology, and the potential Western capitalist exploitation. In the context of this, this thesis revisits the Western Marxist critique of Western capitalism, by examining how digital technology is applied in different areas of human society in the two novels, it aims to explore how these digital advancements facilitate today’s capitalist control. The thesis finds that digital technology is mainly applied in three areas in the novels, namely, the capitalist manipulation process through digital market, digital commodity, and digital surveillance. Firstly, digital technology contributes to the emergence of digital market, thus providing a new domain for Western capitalists to control online transactors. Secondly, the innovation of online market has driven the digital transformation of commodities, with digital commodity becoming a new embodiment for Western capitalists to further control consumers. Finally, the increasing demand for digital commodities that could used for surveillance practices indicates the phenomenon of digital surveillance, intensifying Western capitalist’s control over the masses. In summary, <i>Machines Like Me</i> and<i> The Stone Gods</i> depict a world where digital technologies have penetrated nearly every aspect of life. In doing this, they show how these digital applications are, and could be used by Western capitalists to enhance their exploitation and exert a complete control over humans beings.

Humanities and ArtsVol. 4(1)
University of Science and Technology Beijing (CN)
Decent work and economic growth
Openalex Percentile: Top 84%
Contemporary Literature and Criticism
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.