Silence and Art to be Human in a More-Than-Human World: With Michel Serres and Posthumanist Companions

In the context of Michel Serres' and posthumanism's proposal of rethinking the human and the world in a perspective of universal co-belonging, silence (of the human word) assumes the function of a catalyst for the recognition of the human body in its aesthetic, cognitive, relational, and hybrid dimensionality, and of the world in its agency (including artistic).Within this framework, the contribution proposes a reading of art as a relation and catalyzer of relations, that is, as a (re)activation of positive relations of the human with a world that reveals itself to be increasingly hypercomplex.Taking Serresian ideas on artistic practices as not(only) human forms of expression and some posthumanist "isomorphic" positions on non-human agency as tools, the research then highlights the more-than-human scope of art.

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Publication Details

Journal
Philosophy study
Published
2025-06-28
DOI
https://doi.org/10.17265/2159-5313/2025.03.004
Primary Topic
Middle East and Rwanda Conflicts
Type
article
Field-Weighted Citation Impact
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article

Silence and Art to be Human in a More-Than-Human World: With Michel Serres and Posthumanist Companions

Orsola Rignani
Philosophy study
Middle East and Rwanda Conflicts
article

Silence and Art to be Human in a More-Than-Human World: With Michel Serres and Posthumanist Companions

Orsola Rignani
article en

Abstract

In the context of Michel Serres' and posthumanism's proposal of rethinking the human and the world in a perspective of universal co-belonging, silence (of the human word) assumes the function of a catalyst for the recognition of the human body in its aesthetic, cognitive, relational, and hybrid dimensionality, and of the world in its agency (including artistic).Within this framework, the contribution proposes a reading of art as a relation and catalyzer of relations, that is, as a (re)activation of positive relations of the human with a world that reveals itself to be increasingly hypercomplex.Taking Serresian ideas on artistic practices as not(only) human forms of expression and some posthumanist "isomorphic" positions on non-human agency as tools, the research then highlights the more-than-human scope of art.

Philosophy studyVol. 15(03)
University of Parma (IT)
Reduced inequalities
Openalex Percentile: Top 79%
Middle East and Rwanda Conflicts
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