‘ <i>Less museum and more like Disney’</i> The infantilisation of dark histories: Objective violence at Bodmin Jail

This paper uses the Bodmin Jail Attraction in Cornwall, UK, as a case study to explore how sites of dark tourism have been subsumed into infantilised consumer culture. In these commodified, disney-esque forms, rather than being spaces of reflection and education, they act to perpetuate objective violence. This allows us to fetishise the subjective violence of the past and disavow our participation in or acceptance of present and future harms. Using a conceptual framework that connects dark tourism with historical and sensory criminology, we analyse data gathered from a field analysis of Bodmin Jail, alongside the analysis of 1505 Trip Advisor reviews of the attraction. We contend that, through the appropriation of dark histories and the goal of attracting infantilised consumers, these sites (re)inforce the importance of satisfied visitors, rather than introspective and socially aware citizens. We contend that through this disavowal of our contemporary shortcomings, the broader social implications of this are the risk of widespread objective violence.

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Publication Details

Journal
Crime Media Culture An International Journal
Published
2025-06-29
DOI
https://doi.org/10.1177/17416590251351465
Primary Topic
Memory, Trauma, and Commemoration
Type
article
Field-Weighted Citation Impact
0.00
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article

‘ Less museum and more like Disney’ The infantilisation of dark histories: Objective violence at Bodmin Jail

Iain Channing, Oliver Smith, Siân Lewis
4 links
Crime Media Culture An International Journal
Memory, Trauma, and Commemoration
article

‘ Less museum and more like Disney’ The infantilisation of dark histories: Objective violence at Bodmin Jail

Iain Channing, Oliver Smith, Siân Lewis
article en

Abstract

This paper uses the Bodmin Jail Attraction in Cornwall, UK, as a case study to explore how sites of dark tourism have been subsumed into infantilised consumer culture. In these commodified, disney-esque forms, rather than being spaces of reflection and education, they act to perpetuate objective violence. This allows us to fetishise the subjective violence of the past and disavow our participation in or acceptance of present and future harms. Using a conceptual framework that connects dark tourism with historical and sensory criminology, we analyse data gathered from a field analysis of Bodmin Jail, alongside the analysis of 1505 Trip Advisor reviews of the attraction. We contend that, through the appropriation of dark histories and the goal of attracting infantilised consumers, these sites (re)inforce the importance of satisfied visitors, rather than introspective and socially aware citizens. We contend that through this disavowal of our contemporary shortcomings, the broader social implications of this are the risk of widespread objective violence.

Crime Media Culture An International Journal
University of Plymouth (GB)
Openalex Percentile: Top 83%
Memory, Trauma, and Commemoration
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‘ <i>Less museum and more like Disney’</i> The infantilisation of dark histories: Objective violence at Bodmin Jail — Iain Channing, Oliver Smith, et al. · Crime Media Culture An International Journal (2025) | TGRS Research Map | TGRS