The Horror of Gender: Revamping Horror Films in US Indie Cinema through The Case of A24 Productions since 2010
Gender in traditional horror films is often portrayed between male and female opposition and inequality, reinforcing the male perspective and marginalizing female audiences. Since the 2010s, A24, an independent film production company, has transformed U.S. indie cinema with its distinctive cultural values and aesthetics. A24s horror films are notable for their innovative approach to gender issues and audio-visual techniques, differentiating them from traditional genres. This article examines A24's contributions to the genre, focusing on films such as Hereditary(2018), Pearl(2022), and Men(2022). A24's work introduces psychological horror tied to anatomical anomalies, challenging conventional horror categories. Additionally, these films address gender binary, expressions, and patriarchy, merging gender and horror in novel ways. The analysis underscores how A24s films reflect contemporary concerns and engage audiences in gender-related discussions. This study highlights A24s role in redefining horror cinema narratives and advancing gender dialogues in the post-2010s era.
Authors
- Z. She (ORCID: https://orcid.org/0009-0003-0058-3656)
- Yifei Zhang (ORCID: https://orcid.org/0000-0002-7946-5390)
- Kexin Sun (ORCID: https://orcid.org/0009-0008-8267-8195)
- B. Fan (ORCID: https://orcid.org/0009-0003-7735-9847)
- Yuchen Bai (ORCID: https://orcid.org/0000-0002-1934-1927)
Institutions
- Beijing Foreign Studies University (CN)
- Shanghai University (CN)
- Beijing Normal University (CN)
Publication Details
- Journal
- Lecture Notes in Education Psychology and Public Media
- Published
- 2025-06-27
- DOI
- https://doi.org/10.54254/2753-7048/2024.24362
- Primary Topic
- Sexuality, Behavior, and Technology
- Type
- article
- Field-Weighted Citation Impact
- 0.00