Intertextuality between <i>Consuelo </i>and Shakespearean Drama

本文以乔治·桑的小说《康素爱萝》为研究对象，探讨其与莎士比亚戏剧的互文关系，并分析小说如何通过音乐化叙事吸收戏剧元素，实现跨媒介融合。研究主要从三个方面展开：首先，考察小说对莎剧人物的重塑策略，揭示其互文性特征；其次，分析歌剧化叙事在小说结构中的运用，探讨戏剧性元素的转化方式；最后，关注语言风格与文体层面的创造性实验，分析文字如何再现音乐与戏剧效果。This paper examines George Sand’s novel Consuelo in relation to its intertextual connections with Shakespearean drama, focusing on how the novel integrates theatrical elements through musicalized narration to achieve cross-media adaptation. The study unfolds in three key aspects: first, it explores the strategies of character transformation, highlighting intertextual features; second, it analyzes the application of operatic narrative structures in the novel’s composition; and third, it investigates stylistic experiments in language and form, particularly how textual techniques evoke musical and dramatic effects.