The Calligraphy of Distant Lands: Abstract Expressionist Paintings of John Way

American Abstract Expressionist painting successfully shifted the center of contemporary art from Paris to New York in the mid-20* century. This achievement was not only due to the growing international influence of the United States’ power, but also to its inclu- sive and humanistic values. John Way, originally trained in traditional Chinese literati education as a seal carving artist and calligrapher, boldly transitioned into the realm of Abstract Expressionist painting. He conducted a series of freehand abstract experiments from the perspective of calligraphy. His practice, in many respects, differs entirely from the American artists’ appropriation of Eastern traditional forms. This not only enriched the expressive dimensions of American Abstract Expressionism but can also be seen, from the perspective of a pioneer of Abstract Xieyi Expressionism, as a contemporary interpretation of the literati painting concept.

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Publication Details

Journal
Art Frontier
Published
2024-09-30
DOI
https://doi.org/10.64212/wezr9665
Primary Topic
Art History and Market Analysis
Type
article
Field-Weighted Citation Impact
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article

The Calligraphy of Distant Lands: Abstract Expressionist Paintings of John Way

Duo Li, Yang Li
Art Frontier
Art History and Market Analysis
article

The Calligraphy of Distant Lands: Abstract Expressionist Paintings of John Way

Duo Li, Yang Li
article en

Abstract

American Abstract Expressionist painting successfully shifted the center of contemporary art from Paris to New York in the mid-20* century. This achievement was not only due to the growing international influence of the United States’ power, but also to its inclu- sive and humanistic values. John Way, originally trained in traditional Chinese literati education as a seal carving artist and calligrapher, boldly transitioned into the realm of Abstract Expressionist painting. He conducted a series of freehand abstract experiments from the perspective of calligraphy. His practice, in many respects, differs entirely from the American artists’ appropriation of Eastern traditional forms. This not only enriched the expressive dimensions of American Abstract Expressionism but can also be seen, from the perspective of a pioneer of Abstract Xieyi Expressionism, as a contemporary interpretation of the literati painting concept.

Art FrontierVol. 2(3)
Openalex Percentile: Top 55%
Art History and Market Analysis
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