SOCIAL CONTEXT IN SERBIAN AND RUSSIAN ROCK POETRY OF THE XX CENTURY

The article examines the social context and its reflection in Russian and Serbian rock poetry of the twentieth century. For the first time, the mechanisms of interaction between Russian and Serbian rock heritage, the nature of the influence of the social context on the creation of literary works, and the features of its transformation in the space of the inner world of a rock poet are analyzed. Particular attention is paid to the sources of the emergence of the phenomenon of rock poetry in two Slavic cultures, their relationship and principles of mutual enrichment are substantiated, as well as the structure of the creative process of Russian and Serbian rock authors, the nature of the social impact of their works on society at critical historical moments of both peoples is revealed. The descriptive-functional and historical methods are used to comprehensively identify the patterns of formation and development of such a phenomenon as rock poetry in an era of historical change. Based on the thesaurus approach, the authors of the article examine the work of M. Mladenovich, Z. Dzhukich, V Tsoi, V Shahrin as the most prominent exponents of the social context of their time. The material will be of interest to anyone interested in the history of Russian-Serbian literary relations in the twentieth century.