The Protesting Body in the Social Movements Against COVID-19 Restrictions: Looking Into the Visual Protest Repertoires

Drawing on Deleuze and Guattari’s theory of body and assemblage, this article examines the body-self of the anti-new normal protesters during the COVID-19 pandemic. It focuses on the expressive and material components that constitute the anti-new normal protest events that occurred in several countries during the first half of 2020 and further explores the forces or lines of life that produce the distinct bodies of the protesters. The initial qualitative content analysis of the visual protest repertoires generates three levels of themes, which reveal the primary constituent elements of the expressive assemblages of the anti-new normal protest and articulate the protesters’ demands, fears, anger, and imaginative relations. A further discussion and interpretation within Deleuze and Guattari’s conceptual framework illuminate how the protesters’ bodies become a territory where biological/physical and socio-cultural forces contend with one another; in other words, how the assemblages of enunciations temporarily capture the body of the protesters.

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Publication Details

Journal
SAGE Open
Published
2025-04-01
DOI
https://doi.org/10.1177/21582440251344671
Primary Topic
Social and Cultural Dynamics
Type
article
Field-Weighted Citation Impact
0.00
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article

The Protesting Body in the Social Movements Against COVID-19 Restrictions: Looking Into the Visual Protest Repertoires

Zhen Sun, Wei Luo
SAGE Open
Social and Cultural Dynamics
article

The Protesting Body in the Social Movements Against COVID-19 Restrictions: Looking Into the Visual Protest Repertoires

Zhen Sun, Wei Luo
article en

Abstract

Drawing on Deleuze and Guattari’s theory of body and assemblage, this article examines the body-self of the anti-new normal protesters during the COVID-19 pandemic. It focuses on the expressive and material components that constitute the anti-new normal protest events that occurred in several countries during the first half of 2020 and further explores the forces or lines of life that produce the distinct bodies of the protesters. The initial qualitative content analysis of the visual protest repertoires generates three levels of themes, which reveal the primary constituent elements of the expressive assemblages of the anti-new normal protest and articulate the protesters’ demands, fears, anger, and imaginative relations. A further discussion and interpretation within Deleuze and Guattari’s conceptual framework illuminate how the protesters’ bodies become a territory where biological/physical and socio-cultural forces contend with one another; in other words, how the assemblages of enunciations temporarily capture the body of the protesters.

SAGE OpenVol. 15(2)
Macau University of Science and Technology (MO), Purdue University Fort Wayne (US), Zhuhai Institute of Advanced Technology (CN)
Openalex Percentile: Top 80%
Social and Cultural Dynamics
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