Cannibalising the Argentine Canon in Washington Cucurto's La Revolución de mayo vivida por los negros (2008)

Abstract: Most readings of Washington Cucurto's 1810: la revolución de mayo vivida por los negros (2008) centre around its protagonist, José de San Martín, and the alternative May Revolution led by Africans and Afro-Argentines the novel proposes. This essay focuses instead on the novel's highly intricate transtextual tapestry, analysing its use of intertextualities, paratextualities, and rewritings. It seeks to demonstrate how Cucurto's rewriting of short stories by Jorge Luis Borges and Julio Cortázar can be fruitfully studied through the lens of literary anthropophagy, where the two canonical predecessors are not simply rejected, but incorporated, distorted, and updated in this novel. In turn, this produces a grotesque anti-historical novel which parodies the lofty ambitions of post-dictatorship historical novels in Argentina, tracing the history of racial othering in this country from slavery in colonial times to present-day Buenos Aires.

Authors

Publication Details

Journal
Hispanófila/Hispanófila
Published
2025-03-01
DOI
https://doi.org/10.1353/hsf.2025.a963615
Citations
1
Primary Topic
Latin American Literature Studies
Type
article
Field-Weighted Citation Impact
16.49
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article

Cannibalising the Argentine Canon in Washington Cucurto's La Revolución de mayo vivida por los negros (2008)

Jorge Sarasola
1 citations
Hispanófila/Hispanófila
Latin American Literature Studies
16.49
article

Cannibalising the Argentine Canon in Washington Cucurto's La Revolución de mayo vivida por los negros (2008)

Jorge Sarasola
article en
1 citations

Abstract

Abstract: Most readings of Washington Cucurto's 1810: la revolución de mayo vivida por los negros (2008) centre around its protagonist, José de San Martín, and the alternative May Revolution led by Africans and Afro-Argentines the novel proposes. This essay focuses instead on the novel's highly intricate transtextual tapestry, analysing its use of intertextualities, paratextualities, and rewritings. It seeks to demonstrate how Cucurto's rewriting of short stories by Jorge Luis Borges and Julio Cortázar can be fruitfully studied through the lens of literary anthropophagy, where the two canonical predecessors are not simply rejected, but incorporated, distorted, and updated in this novel. In turn, this produces a grotesque anti-historical novel which parodies the lofty ambitions of post-dictatorship historical novels in Argentina, tracing the history of racial othering in this country from slavery in colonial times to present-day Buenos Aires.

Hispanófila/HispanófilaVol. 203(1)
Openalex Percentile: Top 2%
Latin American Literature Studies
16.49
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